‘Puss in Boots’ Director Chris Miller To Helm Musical Smurfs Feature
Paramount Animation and Nickelodeon Animation are producing the film, penned by South Park's Pam Brady.
Paramount Animation and Nickelodeon Animation are producing the film, penned by South Park's Pam Brady.
Goldberg and Supper Club producer-director Jason Sterman sat down with Cartoon Brew to discuss Disney's new learn-to-draw series.
Puss in Boots may have nine lives, but how many lives did this production have?
The deal also covers distribution and licensing for all Ward-owned IP.
In other news: the Orange M&M will henceforth “acknowledge his anxiety.”
Here's a first-of-its-kind guide to some of the animated treasures that anyone can now post, sample, and remix as they see fit.
We speak to the directors and designers behind Mexico's ambitious stop-motion series.
Wyatt was popular with fans for his stylized design takes on iconic characters.
This was the year Blue Sky and Tangent shut down, "Demon Slayer" mania reached the U.S., and a giant David Hasselhoff model went onsale …
"Groo the Wanderer" is a rarity: a long-running comic book series that has remained in its creator’s ownership for 40 years.
A world populated by digital avatars needs a whole lot of real-time animation.
The show promises "the same charm, swagger, and pathos" as the classic cartoons.
Learn how Mollie Ong harnessed the newest features in Toon Boom Harmony 21 to create her new short film.
The company's first animated feature, "The Great Wolf Pack," will be released in summer 2022.
Madagascan artist Cid explains how the program is helping him bring his highly stylized game to life.
Freleng’s film is a showcase for how rhythm and motion alone can create laughter when the timing is perfect.
This study of undervalued women animators from Russia and the Soviet Union doubles up as a good primer on the history of animation in the region.
The broadcaster promoted the idea that Betty Boop was based on a Black child performer named Esther Jones.
Facebook thinks creativity suffers when staff work remotely. Its solution: virtual offices filled with cartoon avatars.
"You have more control over the scope of the animation process," says Mik Kirchheiner of animating directly with a tablet.