‘One Piece’ VFX Supervisor Victor Scalise On How The Show Balanced Practical And CG Effects
Scalise told us when practical effects were preferrable, and when the digital artists at Framestore were required to deliver a scene.
Scalise told us when practical effects were preferrable, and when the digital artists at Framestore were required to deliver a scene.
Several big studios may have skipped this year's Con, but there was still plenty of exciting animation news coming out of San Diego.
The company is undertaking cost-saving efforts as subscribers canceled Disney’s streaming services en masse for the second quarter in a row.
Deja talks about the work that went into making his dream a reality, and why he thinks other artists should do the same.
Filmmakers from five of the shorts explain how their stories are particularly local, despite being set in a galaxy far, far away.
We caught up with Venturia founder Juan M. Urbina, who directed the Hanna-Barbera-inspired video.
Canadian filmmaker Matthew Rankin explores local, national, and international history with an eccentric and deadpan touch that is refreshingly and genuinely loving.
Alberto Vázquez's epic fable about a religious war between teddy bears and unicorns is currently out in U.S. theaters and video on demand.
This year's Oscar-nominated filmmakers share behind-the-scenes details of how they created memorable characters and brought their performances to life.
Director Drew Hodges talked us through a scene from the series and explained the craft and creative concepts behind the show's stop-motion production process.
With the film's rights back in their hands, director Fernando Cortizo and producer Isabel Rey want the world to see 'O Apóstolo.'
Picchu writer-director Amaru Zeas highlights the educational challenges and beauty of his native Ecuador.
The company will no longer go public due to the "headwinds in the SPAC marketplace and general market volatility."
Wes Anderson's first-ever music video is for Jarvis Cocker's cover of the classic French chanson.
The history of Korean animation isn't just about service work, as Youtuber Wookong shows.
For the Greenpeace campaign video "Wasteminster," the studio had to drop the equivalent of 67.7 million items of cg trash onto the U.K. prime minister's residence.
Here are three longer reads we've published recently that are definitely worth your time.
Joanna Quinn's new film "Affairs of the Art" took years to make, but that was a reward in itself: "It was like an extended college, and I felt I was learning new things about animation, drawing, and direction all the time."
"There was a magical quality in it: it's more like little dolls that were coming to life," says Park of the classic British stop-motion series.
The Icelandic filmmaker speaks about photograph, shoestring budgets, and the beguiling power of a single syllable.