In ‘Aquaman,’ Underwater CG Hair Was Surprisingly One Of The Toughest Effects
The audience's read on a character is "so influenced by how their hair looks," says ILM vfx supervisor Jeff White.
The audience's read on a character is "so influenced by how their hair looks," says ILM vfx supervisor Jeff White.
Didn’t get to SIGGRAPH this year? Here’s a round-up of animation and vfx hardware and software announcements from the confab.
A look at all the intense work that went into the cinematography of Wes Anderson's "Isle of Dogs," before a single frame is ever animated.
After being criminally overlooked by Academy members during last year's Oscar race, Niki Lindroth von Bahr's "The Burden" emerged triumphant last night at the 2018 GLAS Animation Festival.
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
There are hundreds of visual effects shots in "Downsizing, but the film is certainly not a visual effects movie.
This book helps creators and filmmakers to know which questions to ask, and to recognize when the answers they get sound a little less than trustworthy. In the entertainment business, that can come in handy.
Real-time tools are giving animation and vfx creators more flexibility in generating cg worlds and characters.
A new tool automates the tedious task of secondary animation, like cloth and hair.
There's a lot to learn if you're making the move to game animation, but some specialized community outlets have sprung up to help.
Four days of animation screenings, filmmaker talks, workshops, installations, and parties are coming to Berkeley, California, next month!
"The Late Show with Stephen Colbert" created something outside the realm of what people expect to see on TV—real-time interaction with an animated character.
Eleven technological advances, including work by Weta Digital, ILM, and DreamWorks, have been selected for further review.
Disneyland and animation have gone hand-in-hand for 60 years now.
Mavis and company will arrive on TV in 2017.
Genndy Tartakovsky's monstrous goofballs are going to California.
Scheduled for arrival in late 2016, Zeptolab's CG-feature film explores Om Nom's origin story.
Are you hunting for a great animation job? The Cartoon Brew Job Board is the ideal place to look for your next gig.
Are you hunting for a great animation job? The Cartoon Brew Job Board is the ideal place to look for your next gig.
Are you hunting for a great animation job? The Cartoon Brew Job Board is the ideal place to look for your next gig.