Look Inside Dismaland, Banksy’s Bleak New Theme Park
The art provocateur has transformed a derelict English seaside resort into the " UK’s most disappointing new visitor attraction.”
The art provocateur has transformed a derelict English seaside resort into the " UK’s most disappointing new visitor attraction.”
Disneyland and animation have gone hand-in-hand for 60 years now.
Cut through the clutter with our handy guide to the must-see animation events happening in San Diego this year.
Pete Docter's latest smashes opening weekend box office record for an original film.
"Inside Out" is already accumulating praise throwing around the word 'masterpiece' -- and it's well-deserved.
John Lasseter says that Disney and Pixar will aim to increase diversity onscreen—and hopefully offscreen too.
Disney's promotional campaign for "Inside Out" is heating up with the release of both a new trailer and commercial.
What if the animation Oscars were chosen by people who knew nothing about animation?
Roger Allers opens up about his struggles to make a feature film at Disney after directing "The Lion King."
Disney-Pixar has debuted the first full trailer for its next film, "Inside Out," directed by Pete Docter.
This Disney France limited edition poster for Pete Docter's "Inside Out" (titled "Vice-Versa" in French) might just be the most attractive piece of promo art for the film yet.
Troubling new details about the abruptly-halted merger talks between DreamWorks Animation and Hasbro have been revealed.
Disney has set release dates for its two 2016 releases: Zootopia and Moana.
Here's a look at how some Disney employees came to work today.
Disney announced this afternoon that Moana, their 56th animated feature, will be released into theaters in late-2016. The film will mark …
The first teaser trailer is out for Pixar's next film "Inside Out" directed by Pete Docter.
Animation historian John Canemaker talks about the process and challenges of creating the monumental new biography "The Lost Notebook: Herman Schultheis & the Secrets of Walt Disney's Movie Magic."
Don Bluth smiled at me. "I wouldn't worry about being laid off from Disney's, Steve. Nobody gets laid off around here. When somebody messes up, the studio just sends them to WED."
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.