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‘Mitchells’ Director Mike Rianda Releases His 2015 Manifesto For Making ‘The Greatest Animated Movie Of All Time’
Higher dramatic stakes, more realistic characters, new kinds of cinematography: here's how Rianda wants animated features to change.
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How Marvelous Designer Helped Bring The Immersive Dystopia Of ‘Cyberpunk 2077’ To Life
The software was used to create characters' clothes in the game, as well as cybernetic parts, backpacks, ammo bags, and even weapons.
Feature Film Reviews: ‘My Sunny Maad,’ ‘Snotty Boy,’ ‘Poupelle Of Chimney Town’
Reviews of three disparate films that played in competition at this year's Annecy festival.
Lindsey Olivares On Her Bold Production Design Debut ‘The Mitchells vs. The Machines’ (Interview)
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
The Animation That Changed Me: Céline Desrumaux on ‘Grave Of The Fireflies’
"The more you expand your own emotional journey through life, the more the movie gives back to you," says Desrumaux.
Tools Of The Trade: Olivier Lescot on Adobe After Effects
The director describes the software's unique advantages, and explains how he harnessed them in his recent commercial for Ariana Grande's R.E.M. fragrance.
‘Lupin III: The First’ Interview: The Joys And Challenges Of Translating The Classic Franchise To CG
We discuss the gentleman thief's first cg outing with Tomokazu Sakamoto and Tatsuya Akagi, animation and rigging supervisor on the film.
A Look At ‘Red Shoes And The Seven Dwarfs,’ South Korea’s Striking Oscar Hopeful
Having made a splash in countries across the world, the milestone Korean cg feature is now eyeing an Academy Award.
Exclusive Short Film Premiere: ‘Q’ by Roberto Biadi
Quentin Tarantino goes on a wild ride in Roberto Biadi's new short.
How To Make A Short Film Using Quill: An Animator’s Guide To The VR Software
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Oscar Animated Shorts Nominees: How Each Film Was Developed Narratively
We speak to the directors behind "Daughter," "Memorable," "Kitbull," "Sister," and "Hair Love."
How ‘Klaus’ Draws On Centuries-Old Artistic Principles To Push 2D Animation Forward
"Klaus" brings hand-drawn animation back — but it also pushes it forward. The film's artists tell Cartoon Brew how they created the film's unique look.
Four Resources That Will Help You Understand How The New ‘Lion King’ Was Made
In our round-up of articles, the senior crew explain how they created — and, in some cases, fudged — the film's photorealism.
Kelly Asbury On Directing ‘Uglydolls’: “It Was Sort Of A Blank Slate, And That Was Great”
"I like taking on something that’s not going to be that easy," says "Uglydolls" director Kelly Asbury.
Three Essential Tips For Strengthening Your Character Animation
Adam Fisher, veteran stop motion animator and Assistant Professor of Animation and Game Art at Maine College of Art, offers these tips for strengthening character animation performances.
Oscar-Shortlisted Shorts: See The Visual Development And Production Design – Part I
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
‘Photo Wake-Up’ Is A Freaky New Technique For Creating 3D Animation From A Single Still Image
Researchers at the University of Washington have developed a new technique for creating 3d cg character animation from a single still image.
‘If It’s Not Broke, Break It’: Sony Imageworks’ Renegade Approach To ‘Spider-Man: Into the Spider-Verse’
Why Imageworks had to 'break' their animation and VFX pipeline to make "Spider-Man: Into The Spider-Verse."
INTERVIEW: Mamoru Hosoda On The Profoundly Personal Making Of ‘Mirai’
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film "Mirai," opening this week in the United States.
Going Galactic With Gorillaz: How Their Stylized Watch Ads For G-Shock Were Made
Behind the scenes of the uniquely styled photocollage/2d/3d G-Shock ads featuring the animated Gorillaz.
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