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"Mexico is way more complicated than anybody thinks." Jorge Gutierrez talks like a man on a mission. For the past decade-and-a-half, he has sought to bring a more authentic portrayal of Mexico and its people to Hollywood.
We rarely see "Peace On Earth" alongside more traditionally revered holiday standards like "A Charlie Brown Christmas" or "How the Grinch Stole Christmas"—but we really should.
A polar bear and an eskimo fight over fish.
Today we look at the work of Cristian Robles, Cartoon Brew's Artist of the Day!
Walt Disney Productions changed forever when two guys named Mike and Frank showed up.
If you love animation, you'll want to check out this list of animated features that will be released in 2015.
When the Disney strike of 1982 ended and the story artists returned to their respective work spaces in the animation building, "Basil of Baker Street" was still running along two sets of tracks. There were storyboards filled with gags and character bits, and boards filled with plot points.
Zag Animation Studios is a new feature animation outfit that plans to release two family-oriented films per year—one fully-CGI and one live-action/CGI hybrid—beginning in 2017.
There’s too much post-apocalyptic fiction around, in books and movies, TV and games. I’d toss the lot into a dumpster now, except for "Adventure Time."
The Los Angeles fashion label The Hundreds has been caught in the past selling merchandise with traced images from animated films. Is it legal? Is it ethical?
Veteran Polish filmmaker Piotr Dumala won the short film grand prize for "Hipopotamy" at the Ottawa International Animation Festival, which wrapped up its 2014 edition yesterday.
Their world is in the grip of a lethal outbreak. A mysterious blue substance is leading to catastrophic destruction. Who is behind it all?
"Basil of Baker Street" by novelist Eve Titus was an illustrated children's book centered on a mouse who fancied himself an ace detective. The mouse resided (naturally enough) inside the walls of 31 Baker Street in London, home of a human-sized ace detective, the name of whom escapes me.
Steve Hulett recounts his role in the the confusing and chaotic production of Disney's most un-Disney-like feature, "The Black Cauldron."
"Chief has to DIE,” Ron Clements said. “The picture doesn't work if he just breaks his LEG. Copper doesn't have enough motivation to hate the fox."
Netflix’s slate of original animated programming continues to grow with the recent announcements of three new series: "The Knights of Sidonia," "Ever After High" and "Dinotrux."
Actor Andy Serkis may have changed his tune somewhat from earlier this spring when he insisted that animators do nothing but add 'digital makeup' on top of his acting.
I was back in Don Duckwall's office, exchanging insincere smiles with him. I had been on "The Fox and the Hound" with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Reading beforehand what this episode was supposed to be about, my mind completely went somewhere else. Steven’s at that age when boys want alone time for a very specific reason and while I was 99.9% sure Cartoon Network wasn’t going to go that far, I thought they’d at least allude to that idea of adolescence and growing up. Instead we dived into the real reason (sort of) that Steven wanted to be left alone, and dug a little deeper into the idea of his parental units via a room and a weird, very strange world created by said room.
Our post on Andy Serkis's inflammatory rhetoric about the limited role of animators on his motion capture performances generated a robust, often heated, discussion in the comments. By far, the most informative comment was provided by 3-time Oscar winner Randall William Cook, who was the animation supervisor and designer at WETA on the "Lord of the Rings" trilogy that was released between 2001 and 2003.