‘Scissor Seven’ Becomes First Chinese Animated Series To Debut As A Netflix Original
Dogs, cats, and hairdressing aplenty: "Scissor Seven" isn't your usual assassin show.
Dogs, cats, and hairdressing aplenty: "Scissor Seven" isn't your usual assassin show.
New York studio Thinko believes that its Mr. Puppet Animation System could change animation production.
Check out all the nominees for the 18th annual VES Awards, which recognize outstanding vfx artistry.
The director of Netflix's "Klaus" tells Cartoon Brew why he made his groundbreaking 2d feature, despite initially disliking the story.
When it comes to making icy peaks look real, the landscape team took pains to get it right.
Shorter festival windows, easy access to digital production tools, and uninhibited explorations of sexuality are just some of the recent developments in the world of animated shorts.
It isn't all about Disney and Pixar in this awards race. These smaller-scale films from abroad also warrant attention from the Academy.
Two-time Oscar-nominated animation director Kelly Asbury writes about the lessons he's learned and the gambles he's taken in his long career.
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
Matt Williames talks us through the special appeal and unprecedented challenges of working on Sergio Pablos's "Klaus."
Highlights: Three original works from Disney and Pixar, Apple's entry into the animated features arena, and China's growing role in international co-productions.
The yeti-starring cg epic is the first feature from China's Pearl Studio, co-produced with Dreamworks Animation.
This year's event found creators tackling the big issues of the day — discrimination, conflict, climate change — but are they going far enough?
Makoto Shinkai's latest feature can now compete in two categories at next year's Academy Awards.
In our round-up of articles, the senior crew explain how they created — and, in some cases, fudged — the film's photorealism.
With new competitors on the way, the streaming giant Netflix is turbocharging its preschool content production.
Netflix's rise at the Emmys continues as it secures nominations in all but one animation-related category.
Two-time Oscar-nominated director Kelly Asbury writes about his emotional journey in recent years after his last two animated features underperformed at the U.S. box office.
JonJon made an animated director's commentary to explain how he creates commissioned animation projects on tight deadlines.
Lessons from Luma’s animation supervisor on the fiery Elemental in the film.