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Three Of This Year’s Oscar-Qualified Directors Discuss The Enduring Appeal Of 2D Animation
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
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Netflix Has Released A 358-Page Multimedia Art Of Book For ‘Nimona’ – Exclusive
Production designer Aidan Sugano spoke with us about the film's bumpy development, his role on the film, and putting together the book.
Alberto Vázquez’s ‘Decorado’ Headlines Impressive Spanish Projects Lineup At Valencia’s Weird Market
We attended every pitch at this year's Weird Market in Valencia and picked out 10 that deserve a closer look.
‘The Worlds Divide’ Director Denver Jackson On The Joys And Drawbacks Of Solo Feature Filmmaking
Jackson explains how he develops his pipeline, what tools he prefers to use, and the importance of self-care when working long hours.
Go Way Behind The Scenes Of ‘Star Wars: Visions’ Volume 2 With Some Never-Before-Seen Artwork
Filmmakers from five of the shorts explain how their stories are particularly local, despite being set in a galaxy far, far away.
‘The Voice In The Hollow’ Is A Stunning Stylized CG Short, And The Filmmakers Documented The Entire Production
Miguel Ortega and Tran Ma (a.k.a. Half M.T. Studios) documented more than 100 hours of production on their thrilling short.
‘Puss In Boots: The Last Wish’ Reviews Roundup: Dreamworks’ Adventurous Animation Is Like Catnip For Critics
'Puss in Boots' is now one of the year's best-reviewed animated features, and a guaranteed awards season contender.
These Shorts Made With Cartoon Animator Topped Reallusion’s 2022 Animation At Work Contest
Watch the winners across four categories: Business, Comic, Education, and Youtuber.
How ‘Bambi,’ ‘Apocalypse Now,’ And The Bible Blend In Alberto Vázquez’s ‘Unicorn Wars’
Former Annecy winner Alberto Vázquez uses teddy bears and unicorns to deliver his colorful, vulgar, and hilarious anti-war allegory.
Straight To The ‘Hearth’: How SCAD Students Created The Game ‘Home Is Where the Hearth Is’
The multi-award-winning game was made over 20 weeks as part of SCAD's Interactive Design and Game Development program.
Shane Plante On Using Harmony To Make The Horror Film ‘The Gate’
The Mercury Filmworks animator tells us how he made his film using Toon Boom Harmony Premium.
The Oscar Shortlist Interviews: How The Films Were Visually Developed
We asked the directors of this year's 15 shortlisted shorts how they came up with their styles and techniques.
Praxinos Is Forging New Opportunities To Create Graphic Art In Unreal Engine
The developers behind the new tool explain why they created it, how it is used, and what lies ahead for real-time 2d animation.
Lindsey Olivares On Her Bold Production Design Debut ‘The Mitchells vs. The Machines’ (Interview)
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
Madeline Sharafian on ‘Burrow’ (Oscar Shorts Interview Series)
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
How ‘My Favorite War’ Uses Animation As A Memoir Of Finding Freedom
Ilze Burkovksa-Jacobsen explains how she drew on her experience of an oppressive regime to make her Oscar-qualified feature.
Behind The Scenes Of The Oscar-Contending Short Film ‘Lost & Crowned’
Director Borja Peña Gorostegui and the animation team at Psyop describe their creative process for making the short "Lost & Crowned."
‘Wolfwalkers’ Review: Cartoon Saloon Hits New Artistic Heights In Return To Irish Folklore
The Irish studio's new film pits city against nature, sometimes beautifully, sometimes crudely.
Cartoon Forum 2019: A Look At 6 Pitches For New European Shows
Our report on new shows from day one of Cartoon Forum.
6 Upcoming European Animation Features That We Loved At Cartoon Movie
These highly individualistic and bold animated features are guaranteed to challenge and inspire filmgoers.
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