Can Cartoon Animation Be Performed By Live Humans?
A step-by-step guide to creating real-time character animation with Character Creator 4 and iClone 8.
A step-by-step guide to creating real-time character animation with Character Creator 4 and iClone 8.
Welcome to a new series in which we profile the most interesting independent animation filmmakers working today.
We speak to Joe Mateo, director of Skydance Animation's new short "Blush," as well as revisit some of the month’s most interesting stories in the animation world.
Madagascan artist Cid explains how the program is helping him bring his highly stylized game to life.
The video involved "a wholesale copying" of Eddy Grant's song "Electric Avenue," a judge has ruled.
A new full-sized pinscreen — only the third in existence — has arrived in Quebec. Its creator talks us through the painstaking process of assembling it.
Animator Chris Meyer-White explains the software's advantages when it comes to hybrid approaches.
This week, we spotlight five directors who have a short film in competition at Annecy.
An appreciation of one of the titans of the animation world.
Leib created animation for The New York Times and films including "American Splendor" and "American Ultra."
Workers at the largest animation studio in Georgia continue to press their case for an equitable workplace.
Haunted castles, warring salamanders, migrants on a magical journey, and more…
Cambodian textile factories, Parisian street urchins, an albino girl with telepathic powers — here lies the future of European feature animation.
A playful riff on the experience of quarantine that combines Tex Avery and street art.
The new studio is creatively led by Brad Lewis, a veteran of Pixar and Dreamworks.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Portuguese filmmaker Abi Feijó believes children should do more than just watch animation; they should also learn how to bring their own stories to life. And he's been teaching kids how to create animated films for over 30 years.
Filmmakers Wesley Louis And Mohamed Fadera share their thoughts in a video hosted by animation studio The Line.
Two newly digitized sets of flipbooks highlight the links between animation, live action, and print.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.