Behind The Scenes: How ‘Jiang Ziya’ Is Seeking To Rival Hollywood Animation
Watch the crew discuss their ambitions for the film — and for Chinese animation in general.
Watch the crew discuss their ambitions for the film — and for Chinese animation in general.
Release date reshuffles, a "Lion King" sequel, a new studio from Don Bluth, and more…
"I wasn’t sure what the film was about," says Clapin, "and that hardly mattered to me."
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
A former Pixar employee describes a workplace rife with racism, sexism, and class insensitivity.
War, gangsters, a drug-dealing piglet, and the gentle progress of an English couple's marriage. Pixar this ain't.
Pixar is continuing to diversify its rank of co-directors, but what does that mean?
The initiative aims to "inspire local creativity while raising the bar for independent animation worldwide."
With Josh Cooley's departure, all of the directors of Pixar's iconic "Toy Story" franchise have left the studio.
The revered cinematographer discusses his little-known work for the likes of Pixar and Dreamworks in a fascinating new podcast series.
If March was defined by the shock of the coronavirus's global spread, April is when we started to really see its repercussions for animation, and glimpse how the industry may change for good.
Utter chaos defines the last 30 days in the animation world.
Veteran animator Jean-Denis Haas explains why the animation in these films is a cut above the rest.
Adam Habib and Sharon Calahan reveal their approach to emulating live-action cinematography in "Onward."
"Onward" had the smallest theatrical audience ever for a Pixar release.
The film's global opening could break the $100-million mark, despite turmoil caused by the coronavirus.
Brenda Chapman is set to write and direct the hybrid Halloween fantasy, ten years after leaving Pixar's "Brave" mid-production.
A San Francisco artist claims that Pixar artists stole her unicorn van idea.
The artists behind the Oscar frontrunner have described their creative process in a range of interviews. We've compiled their most insightful comments.
Matthew A. Cherry talks about the journey of making his Oscar-nominated short "Hair Love," produced in a Toon Boom Harmony pipeline.