Malaysia Focus: A Look 3 Animation IPs That Reveal The Country’s Burgeoning Creative Talent
Three animation studios tell us what it takes to create an original show in the country.
Three animation studios tell us what it takes to create an original show in the country.
The new venture will leverage the proprietary Trioscope technology, which marries live-action performances and animated environments.
Discover the diverse mix of Spanish animated projects showcased at this year's edition of the Latin American movie market.
Find out what the events are looking for and how to apply.
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
In this ad, the studio returns to the theme of deforestation, which it explored in its latest feature "Wolfwalkers."
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Netflix is fighting against an upcoming law in France that would force it to commission more locally-made French content. France's animation union Animfrance is among those that believes Netflix is shirking its responsibility to support the country's content.
The Irish studio's new film pits city against nature, sometimes beautifully, sometimes crudely.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Animators are invited to create videos across a range of categories using Cartoon Animator 4.
For the first time, the top feature prize went to a film that no one got to see.
An Egyptian fantasy, a transgender murder mystery, an apocalyptic coming-of-age tragicomedy, and more…
Stay small. Keep family close. Don't be an asshole. These are some of the rules that have worked for animation director and studio owner J.J. Sedelmaier.
"Black Jack" and the 1980 remake "Astroboy" are among the titles launching on the free streaming service Retrocrush.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
In the 1960s, he directed a series of infamous Tom & Jerry shorts while living in Eastern Europe.
Uli Meyer speaks to Cartoon Brew about the challenges of adapting Ronald Searle's artwork to animation.
Camila Kater explains how she combined five different mediums in her debut film — and why she compares women to meat.