‘Coco’ Launches #1 In U.S. and China
"Coco" is finding friends around the world.
"Coco" is finding friends around the world.
Made at the height of the 2d animation boom in the United States, "Anastasia" was the highest-grossing film that Don Bluth and Gary Goldman ever made.
Oscar-nominated and Cannes-winning film director Carlos Carrera speaks with us about his long-awaited feature "Ana and Bruno."
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
Strong performances in Japan and Italy have given "Despicable Me 3" the final push to reach $1 billion in global box office.
Disney put "Coco" director Lee Unkrich in a tough spot, and he's expressing his frustration on Twitter.
We explain why it's an extremely unpredictable year in the Oscar race for best animated feature.
We're launching this new resource to help readers keep track of American animated features in development.
Why did the Academy invite a record number of animation artists to join their organization this year?
Ricky Gervais is voicing a cat in Bron Animation's upcoming cg feature based on the book by Lois Lowry.
The animation test, intended to be a forerunner to a feature film project, was made in Blender and is inspired by a famous Dutch comic series.
European producers aren't following the same path as American animation producers. Here's some of the key things they do differently.
Two industry veterans are attached to direct a bigscreen version of the children's book series "Darkmouth."
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
Academy members' flippant attitude and outright disdain for animation has led to a crisis of confidence in the organization's abilities to judge animation.
Illumination, makers of "Sing" and "Secret Life of Pets," doesn't play by the standard rules of Hollywood feature animation. Here's one way they're breaking the rules.
"There's no question that these orders will harm us as a company and many of our team members," says Insomniac Games founder.
Disney CEO Bob Iger's collaboration with Trump is bad for Disney's cultural brand—and bad for Disney employees.
These four films are Oscar-worthy, but will the Academy recognize them tomorrow?
Fernanda Frick, who worked on the Oscar-winning Chilean short 'A Bear Story,' has completed an ambitious short of her own.