The Animation That Changed Me: Sébastien Laudenbach on ‘Gwen, The Book Of Sand’
"Everything in this film was new to me," says Laudenbach.
"Everything in this film was new to me," says Laudenbach.
Director Borja Peña Gorostegui and the animation team at Psyop describe their creative process for making the short "Lost & Crowned."
The British inventor-and-dog duo's first ar adventure is due to launch in mid-January.
Three animation studios tell us what it takes to create an original show in the country.
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
A caveat: that growth has been entirely reversed by the pandemic.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Matt Watts talks about an important and often overlooked part of the 2D animation process: character rigging.
Portuguese filmmaker Abi Feijó believes children should do more than just watch animation; they should also learn how to bring their own stories to life. And he's been teaching kids how to create animated films for over 30 years.
The trailer's director Paco Zamudio talks to us about the state of Mexican and Latin American animation.
Veteran animator Morgan Williams offers motion designers some valuable advice — and runs courses for those who want to learn more…
Stay small. Keep family close. Don't be an asshole. These are some of the rules that have worked for animation director and studio owner J.J. Sedelmaier.
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
Sowl's Solomon W. Jagwe explains how he harnesses iClone and Perception Neuron to animate his show.
When Sam Kishi wanted to incorporate animated segments into his live-action feature, he didn't have to look far. That's because he also runs the Mexican animation studio Platypus.
The 2020 edition of the Stuttgart International Animation Festival was a virtual success, but it's no replacement for attending a festival in person.
"Masameer" director Malik Nejer tells Cartoon Brew how he transitioned from online shorts to bigscreen feature.
The producer of the upcoming series explains why Finnish animation is going global — and what that means for the continent.
An all-star team of former Disney talents decided to bring hand-drawn animation back in 2012. Their film was never made. For the first time, the project's sizzle reel is being shared…
The Berkeley-based festival is handing out its full set of awards despite canceling this year's edition.