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The aBakening: Director Isabel Garrett Dishes On ‘The Great British Baking Show’s’ Sugary Stop-Motion Opener
Discover how Isabel Garrett and BlinkInk crafted 'Bake Off’s' new cosmic title sequence, blending stop-motion, 2D, CG, and VFX magic.
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The Manosphere Hits The Maternity Ward In Celia Bullwinkel’s Wickedly Funny ‘Baby Bro’
In 'Baby Bro,' Bullwinkel mixes classic 2D animation with frat-boy rhetoric, exposing misogyny through absurdist, feminist dark humor.
Netflix Publishes Generative AI Use Guidelines: Here’s What Is/Isn’t Allowed
Netflix outlines how AI can and can't be used in production, stressing it won’t replace artists and requires approval for key visuals or talent replication.
Kartoon Studios Wants To Get Kids Into Crypto With Its New ‘Fully Produced In AI’ Series ‘Bitcoin Brigade’
Comparing the IP to Mario and Sonic, CEO Andy Heyward says the show 'will inspire the next generation in blockchain-powered entertainment and education.'
Hit Indie Pilot ‘Plinko and Mark’ Combines DIY Spirit With Saturday Morning Nostalgia
The indie pilot 'Plinko and Mark' blends contemporary humor with nostalgic '90s cartoon vibes, earning nearly 300k views since its July 31 debut.
‘Sometimes, The Most Authentic Result Comes From Doing It The Traditional Way’: Luca Cioci’s Practical Magic In ‘Metrophusis’ (EXCLUSIVE)
Discover how Luca Cioci mixed stop-motion, light painting, and practical effects to turn a mundane gas station visit into a hypnotic visual short.
Piderman Homecoming: After 10 Years, ‘Baman Piderman’ Creators Reclaim Streaming Rights, Plan New Episodes To Conclude The Series
After a 10 year distribution nightmare, internet cult favorite 'Baman Piderman' returns to its owner's channel on Aug. 1 with new episodes planned.
U.S. Government Cuts $1.1 Billion In Funding For The Corporation For Public Broadcasting
Cuts to PBS Kids could drastically alter the U.S. animation landscape, disrupt children’s educational shows, and impact small studios nationwide.
Netflix Is Developing A Live-Action ‘Captain Planet’ Series
Leonardo DiCaprio’s Appian Way, Greg Berlanti’s Berlanti Productions, and Warner Bros. Television are producing the adaptation.
66 Animation Pros Invited To Join Academy’s Animation And VFX Branches
The animation and VFX invitees are among the 534 film industry figures invited to join the Academy's ranks as part of the class of 2025.
Director Dave McKean Reflects On ‘MirrorMask’ At 20: ‘It’s A Strange Mix Of Elements’
“I wasn’t aiming for realism,” says "MirrorMask" director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target."
The Directors Of ‘KPop Demon Hunters’ Discuss The Unexpected Challenges Of Making An Animated K-Pop Film
"The ultimate challenge," said co-director Chris Appelhans, "is that pop music, above all, needs to be a bop and it needs to be hooky, and it needs to be irresistible."
The Offbeat Production Methods Of The NFB’s Stop-Motion Film ‘The Girl Who Cried Pearls’
Chris Lavis and Maciek Szczerbowski, directors of the iconic 'Madame Tutli-Putli,' are back with their latest stop-motion film that pushes the art form to new places.
China Secretly Made A New CG Tom & Jerry Feature: ‘Tom & Jerry: Forbidden Compass’
The film is world premiering at the Shanghai Int'l Film Festival.
‘Arco,’ ‘The Night Boots’ Win Top Awards At Politically-Charged Annecy Closing Ceremony
"Let us live; let us go home; stop the bombs," said Annecy's artistic director Marcel Jean at Saturday night's closing ceremony.
Disney, Universal Sue AI Generator Midjourney, Calling It “A Bottomless Pit Of Plagiarism’
Midjourney founder David Holz has previously admitted that his product is "a big scrape of the internet" and that he has stolen hundreds of millions of images without permission from rightsholders.
Netflix’s ‘Stranger Things: Tales From ‘85’ Series To Release In 2026
The streamer offered new details about the show during its presentation at Annecy today.
Maïlys Vallade And Liane-Cho Han On Their Thought-Provoking Hand-Drawn Feature ‘Little Amélie’
The film, which premiered at Cannes last month, is screening in competition at Annecy this week.
Series Craft: Director Robert Valley Explains His Approach To Adapting Marc Laidlaw’s ‘400 Boys’ For ‘Love, Death & Robots’
Valley walks us through his inspirations and development of key scenes in his visually stunning installment for the Netflix anthology series.
‘Olivia & The Clouds,’ A Wildly Creative Feature From The Dominican Republic Made For Under $1 Million
Director Tomás Pichardo Espaillat speaks about his bigscreen accomplishment and how he turned limitations, like a lack of animators in his country, into an opportunity to experiment creatively.
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