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Rodeo FX Acquires Former Technicolor Group Studio Mikros Animation
Rodeo FX's purchase of Mikros Animation will preserve up to 287 animation production jobs in Canada and France.
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Warner Bros. Discovery Marks Tom & Jerry’s 85th Anniversary With Slew Of New Licensing Deals
Expect to see a lot more of this classic cat-and-mouse duo in 2025.
Viva Pictures Scoops Up North American Rights To ‘Grand Prix Of Europe’
The film is a tie-in for the 50th anniversary of one of Europe's major theme parks, Europa-Park.
Toonz Media Group/Gold Valley Films Co-Production ‘Emma’s Big Adventure’ Will Get A U.S. Theatrical Run From Viva Kids
'Emma's Big Adventure' is one of three co-productions the companies have set for delivery in 2024.
Bring On The Night: A Detailed Look At The Stunning Lighting And VFX Work In Dreamwork’s ‘Orion And The Dark’
Visual effects supervisor M. Scott McKee shares insights and artwork from behind the scenes of Netflix's upcoming feature.
Signe Baumane’s ‘My Love Affair With Marriage’ Readies Touring Show To More Than 20 Cities, With Filmmaker In Person
Baumane and her producer will travel with the film for the next three months, meeting with audiences across the continent.
‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ Reviews Roundup: This Franchise Reboot Is A Knockout
Critics are praising director Jeff Rowe for pushing aesthetic risks he first took when co-directing 'The Mitchells vs. the Machines.'
Go Way Behind The Scenes Of ‘Star Wars: Visions’ Volume 2 With Some Never-Before-Seen Artwork
Filmmakers from five of the shorts explain how their stories are particularly local, despite being set in a galaxy far, far away.
The Oscar Shortlist Interviews: What Each Filmmaker Learned Making Their Shorts
The second in our three-part interview series with the shortlisted filmmakers for the Best Animated Short Academy Award.
‘Guillermo Del Toro’s Pinocchio’ Reviews Roundup: Netflix’s Stop-Motion Adaptation Is A Gem
Reviews are also praising the way in which 'Pinocchio' handles complex themes, facilitating audience conversation, especially within families.
‘Lightyear’ VFX Supervisor Jane Yen On Making An IMAX Blockbuster From Home, And How VR Helped
Working from home, the studio developed a new IMAX pipeline for its first theatrical release in more than two years.
Sony Pictures Classics To Distribute Sylvain Chomet’s ‘The Magnificent Life Of Marcel Pagnol’ In The U.S. And Other Key Territories
Chomet closes out his animated feature film trilogy that started with The Triplets of Belleville and The Illusionist, both also repped by Sony.
30 Years Ago: The CG Secrets of the Ballroom Sequence in ‘Beauty and the Beast’
Jim Hillin, the cg supervisor of "Beauty and the Beast," reveals the creation of an iconic moment in Disney animation history.
‘America: The Motion Picture’ Review Roundup: Brash Historical Satire Lacks Laughs
The R-rated Netflix comedy is directed by "Archer" veteran Matt Thompson.
A Highly Subjective Look At Some Of This Year’s Lesser-Known Oscar Contenders
Animated shorts that Academy voters should take some time to consider.
Uli Meyer Is Adapting ‘Molesworth’ Into A Feature (Exclusive Teaser And Interview)
Uli Meyer speaks to Cartoon Brew about the challenges of adapting Ronald Searle's artwork to animation.
Events Round-Up: Primanima, TAAFI Industry, Manchester Animation Festival, Pictoplasma NYC
Upcoming animation events in Hungary, Canada, the U.K., and the U.S.
For Latin American Creators, It’s About Telling Stories That Matter To Them
The challenge for Latin American creators: telling stories about subjects and themes particular to their identity, without sacrificing broad global appeal.
‘How To Train Your Dragon’ Series Director Dean DeBlois On Being Blown Away By The Advancement Of Animation Tech
Having been at the helm of all three "How to Train Your Dragon" films, DeBlois has witnessed major changes in editorial processes, effects, and rendering.
“If We Could Do Anything Our Own Way, What Would We Do?”: A Conversation With ‘Spider-Man’ Co-Director Bob Persichetti
An extensive conversation with "Spider-Man: Into the Spider-Verse" director Bob Persichetti.
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