‘It’s Not A Product, It’s An Experience’: Animation Directors On The Importance Of Film Festivals
At Tokyo IFF’s Anime Symposium, filmmakers discussed how festivals connect animation with global audiences and keep cinema experiences alive.
At Tokyo IFF’s Anime Symposium, filmmakers discussed how festivals connect animation with global audiences and keep cinema experiences alive.
Mike Johnson discusses how 'Corpse Bride' reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
DreamWorks animators reveal how 'The Bad Guys 2' amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
Leaders at Tonko House, KuKu Studios, Titmouse, and Reel FX chime in on the potential impact of California's expanded incentives.
Rodeo FX's purchase of Mikros Animation will preserve up to 287 animation production jobs in Canada and France.
Expect to see a lot more of this classic cat-and-mouse duo in 2025.
The film is a tie-in for the 50th anniversary of one of Europe's major theme parks, Europa-Park.
'Emma's Big Adventure' is one of three co-productions the companies have set for delivery in 2024.
Visual effects supervisor M. Scott McKee shares insights and artwork from behind the scenes of Netflix's upcoming feature.
Baumane and her producer will travel with the film for the next three months, meeting with audiences across the continent.
Critics are praising director Jeff Rowe for pushing aesthetic risks he first took when co-directing 'The Mitchells vs. the Machines.'
Filmmakers from five of the shorts explain how their stories are particularly local, despite being set in a galaxy far, far away.
The second in our three-part interview series with the shortlisted filmmakers for the Best Animated Short Academy Award.
Reviews are also praising the way in which 'Pinocchio' handles complex themes, facilitating audience conversation, especially within families.
Working from home, the studio developed a new IMAX pipeline for its first theatrical release in more than two years.
Chomet closes out his animated feature film trilogy that started with The Triplets of Belleville and The Illusionist, both also repped by Sony.
Jim Hillin, the cg supervisor of "Beauty and the Beast," reveals the creation of an iconic moment in Disney animation history.
The R-rated Netflix comedy is directed by "Archer" veteran Matt Thompson.
Animated shorts that Academy voters should take some time to consider.
Uli Meyer speaks to Cartoon Brew about the challenges of adapting Ronald Searle's artwork to animation.