Canadian Indie Animated Features On The Rise: ‘Space Cadet,’ ‘Death Does Not Exist,’ ‘Endless Cookie’
A deep dive into three new indie Canadian features screening at Annecy.
A deep dive into three new indie Canadian features screening at Annecy.
Are you ready for another packed year of feature-length animation?
Po’s journey of learning to embrace change will be relatable to not just kids and family audiences, but also to animation industry workers, says director Mike Mitchell.
"By showing fragments of violence I had experienced in my life, I was putting together a portrait of society in a patriarchal world," says Yakovleva,
In honor of Women’s History Month, we’re highlighting just a few of the trailblazing women who made important contributions during the Golden Age of Animation.
She directed iconic animated shorts like "Asparagus" and "Joy Street."
"Lila's Book" is a movie of firsts. We take an in-depth look inside this new Colombian production.
The most comprehensive list of 2017 theatrical animated features!
Space Jam is 20 years old! Our 3-part oral history begins with the troubled start to production, character designs, and how the basketball scenes were shot.
The tenth time's the charm for Blue Sky Studios.
We spoke with Martino about merging the worlds of 2D and 3D animation, and why a Charlie Brown who is actually recognized and praised isn't much of a stretch for Schulz.
Luke Epplin writes convincingly in The Atlantic about the supremacy of the ‘magic-feather syndrome’ in kids’ animated features, which is …
The world of television animation is changing drastically, mainly by the fact that new animated shows won’t appear on TV. Netflix …
http://www.youtube.com/watch?v=SyrO83x7g-E&feature=youtu.be Disney•Pixar’s fast-action summer hit Cars 2 comes home on …
From story structure to CG textures, Derek Drymon and the Reel FX animation team detail how SpongeBob’s theatrical DNA was preserved and expanded.
Koike discusses bringing intensity, style, and motion to Lupin’s world, and why collaboration drives his boundary-pushing anime vision.
At Tokyo IFF’s Anime Symposium, filmmakers discussed how festivals connect animation with global audiences and keep cinema experiences alive.
Mike Johnson discusses how 'Corpse Bride' reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
DreamWorks animators reveal how 'The Bad Guys 2' amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
Leaders at Tonko House, KuKu Studios, Titmouse, and Reel FX chime in on the potential impact of California's expanded incentives.