More on Product Placement In Cartoons
A couple Brew readers wrote in to correct some of my recent sloppy reportage. In this ITEM posted on paid product placements in …
A couple Brew readers wrote in to correct some of my recent sloppy reportage. In this ITEM posted on paid product placements in …
Another sad day in modern animation history (and it sure seems like we have a lot of them). The NY TIMES reports that Comedy Central’s …
Thursday, July 15, 2004 (Part II)_________________________ I arrive at the studio, where I’m issued an electronic badge with my …
I’m still hungover from two mind-blowing nights of classic cartoons with John K. at the Egyptian theatre. So while I recover, here’s an …
Of the countless millions of websites floating around the Internet, there is only one which I’ve ever felt compelled to pay a monthly …
Chris Northrop and Mark Tordik have apparently taken a course at the Bill Plympton School of Filmmaking and decided to produce an …
The WASHINGTON POST’s Lisa de Moraes files an amusing report (“On NBC’s Lineup, ‘Pride’ but No Shame”) from NBC’s 2004 upfront for …
During 2002 and 2003, the Academy Of Motion Picture Arts and Sciences ran a weekly series, every Monday night for 75 weeks, each week one …
Last night, during one of Lewis Black’s rants on THE DAILY SHOW, he did a great bit on the two deformed lumps that are serving as the …
The film hits theaters Friday. We spoke to director and Icon Creative CEO Shea Wageman about the rare North American indie, and why it's not the studio's last.
At the Golden Globes, the Murray the Mummy voice actor let slip that he'll soon head into the booth to start recording for the franchise's fifth installment.
The veteran producer discusses 'Tatsuki Fujimoto 17 to 26' anthology and how decades of adaptation experience shaped his approach to modern anime.
Pederson, credited as special photographic effects supervisor on '2001: A Space Odyssey,' leaves an incredible legacy of animation and FX work.
Tartakovsky breaks down the creative shift toward a more intimate story focused on memory, identity, and character-driven action.
The film's emotional climax was also one of its most technically challenging, combining a moving camera, animated background, and emotional performance.
Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.
Built from years of field research and first-hand interviews, 'Black Butterflies' shows how animation lets documentary go where cameras can't follow.
Super Bowl champ Martellus Bennett and 'Phineas and Ferb' co-creator Jeff “Swampy” Marsh team up on Disney Jr.’s Hey A.J.!, out next week.
An interview with director Marta Reis Andrade exploring BAP Studio’s hybrid documentary style, family voices, memory, and magical realism.
In a man's final swim, the aging champion revisits love, joy, and trauma, as water becomes a living passage between memory, loss, and survival.