Product Placement In Cartoons
Another sad day in modern animation history (and it sure seems like we have a lot of them). The NY TIMES reports that Comedy Central’s …
Another sad day in modern animation history (and it sure seems like we have a lot of them). The NY TIMES reports that Comedy Central’s …
Thursday, July 15, 2004 (Part II)_________________________ I arrive at the studio, where I’m issued an electronic badge with my …
I’m still hungover from two mind-blowing nights of classic cartoons with John K. at the Egyptian theatre. So while I recover, here’s an …
Of the countless millions of websites floating around the Internet, there is only one which I’ve ever felt compelled to pay a monthly …
Chris Northrop and Mark Tordik have apparently taken a course at the Bill Plympton School of Filmmaking and decided to produce an …
The WASHINGTON POST’s Lisa de Moraes files an amusing report (“On NBC’s Lineup, ‘Pride’ but No Shame”) from NBC’s 2004 upfront for …
During 2002 and 2003, the Academy Of Motion Picture Arts and Sciences ran a weekly series, every Monday night for 75 weeks, each week one …
Last night, during one of Lewis Black’s rants on THE DAILY SHOW, he did a great bit on the two deformed lumps that are serving as the …
Four-episodes now on YouTube explore free speech, censorship, and government basics through colorful puppets and public-TV-style storytelling.
The filmmaker details lessons learned at Disney, building up a new studio, and collaborating with Madrid to expand creative ownership.
Developed at The Line, the game features a looping animation concept that becomes interactive, using death as a power-up across mechanics, levels, and story.
Ahead of its premiere, director Alejandra Pérez González discusses reshaping the film and how Fotosíntesis built its expressive 2D world.
Warner Bros. once shelved the finished film. Now the first footage reveals a faithful Looney Tunes hybrid finally headed to theaters.
Production designer Aurélien Prédal explains the visual strategy, shifting styles, and aesthetic challenges behind the global series adaptation.
A century-spanning story follows one character through life as a J-pop idol, an outcast, and an oracle in Ryuya Suzuki’s ambitious debut feature.
Animation honors spread across five countries, highlighting a balanced mix of Iberian and Latin American productions and emerging voices.
Director Toni Mortero and producer Álvaro García discuss adapting the comic, developing its 2D-inspired look, and plans for a feature film.
The founder scaled global animation production and reshaped distribution, though uneven output, cancellations, and layoffs leave a mixed legacy.
New footage, casting, and story details were shared, with Pixar’s sequel leading Disney’s animation push and a new original's first look.
Make Originals's sci-fi comedy ends after three years of development and production, built on a lean, hybrid pipeline and direct-to-audience distribution.