The Animation That Changed Me: Marcel Jean on ‘Memories Of War’
"To my eyes, this is a genuine work of theater," says Jean.
"To my eyes, this is a genuine work of theater," says Jean.
The teams behind three projects pitched at Annecy's MIFA market tell us what was gained — and lost — in the shift to virtual pitching.
The six-minute video, which was produced at Malaysia's Animasia Studio, has racked up 12 million views and counting.
Toronto's Guru Studio is crewing up an additional 80 people for "Mecha Builders" — without any face-to-face contact.
The Scooby-Doo origin story is the second animated tentpole to skip theaters for VOD.
Fifty percent of production spending in Ireland is now animation.
If March was defined by the shock of the coronavirus's global spread, April is when we started to really see its repercussions for animation, and glimpse how the industry may change for good.
In a guest piece, industry executive Aaron Simpson explains how the animation industry had been preparing for this disaster for decades without even knowing it.
The director and production designer of Netflix's latest animated feature talk about their creative approach and influences, from "Citizen Kane" to bats in toilets.
Get the free ebook "Making an Animated Short."
Netflix is getting on board for a "Dragon's Lair" revival.
Instead of toilet paper, stock up on pajamas because we're all going to be working from home soon!
Little known outside of Quebec, Animation Vieux Montréal has emerged as one of Canada's most successful animation schools.
Can you name the former animation director who made "Fear and Loathing in Las Vegas"? "Enchanted"? "Mission: Impossible – Ghost Protocol"?
We speak to the directors behind "Daughter," "Memorable," "Kitbull," "Sister," and "Hair Love."
The multi-billion-dollar platform offers big stars, animation, and a new piece of tech called Turnstyle.
Learn about the wide variety of careers taken up by alumni of School of Visual Arts's animation, computer arts, and vfx courses.
The film opens this weekend in 2,300 North American theaters.
Students from the School of Visual Arts talk about the lessons they learned from their summer internships in the animation industry.
Georgia Cano, one of the three lead plaintiffs in the animation wage-fixing lawsuit, speaks out for the first time.