Artist of the Day: Jeannette Arroyo
Discover the art of Jeannette Arroyo, Cartoon Brew's Artist of the Day.
Discover the art of Jeannette Arroyo, Cartoon Brew's Artist of the Day.
Our first look at Wes Anderson's doggie dystopia "Isle of Dogs."
Studios like Tonko House and Gigglebug are discovering the benefits of TVPaint for series production.
If you want to know what upcoming shows that European tv animation producers are developing, Cartoon Forum was the place to be this week.
"Zafari'"director David Dozoretz on how his animated tv series is using real-time rendering - and the new possibilities that tv creators have with real-time rendered CG series.
For a filmmaker, working in vr is like chopping off someone's legs and telling them to run, says "Son of Jaguar" director Jorge Gutierrez.
More than 15 years ago, Disney tried to make "Gemini Man," a film in which a real actor interacted with his younger CG self. This is the story of the studio's ambitious attempt to make a convincing CG human.
Strong performances in Japan and Italy have given "Despicable Me 3" the final push to reach $1 billion in global box office.
ASIFA-Hollywood has begun accepting entries for its 45th annual Annie Awards.
Was "Leap!" a hit or a flop? Depends on how you look at it.
Oscar-nominated animation master Aaron Blaise offers tips and techniques for getting the most out of 2D animation software.
We explain why it's an extremely unpredictable year in the Oscar race for best animated feature.
Body Labs is creating technology that can predict and generate animation from videos and even single photographs.
Anibar is an animation festival, but it's also much, much more.
Why is Hollywood obsessed with making animated films based on intellectual property that doesn't have any stories, characters, or mythologies?
"Bambi" offered a warning to humanity, but no one listened.
"The Nut Job 2" broke an all-time cinematic record for people NOT seeing a film.
"In This Corner of the World," winner of the Japan Academy Prize, has arrived in U.S. theaters.
Old man yells at computer graphics, vfx supervisor corrects him.
Stop-motion animation is booming in Los Angeles, so why are artists left to fend for themselves when it comes to negotiating their employment agreements with the various studios. Cartoon Brew investigates.