The Animation That Changed Me: Tomm Moore on ‘The Thief And The Cobbler’
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
The feature-length memoir was the only feature in competition at Annecy this year that was directed by a woman. We spoke with director Ilze Burkovska Jacobsen.
The teams behind three projects pitched at Annecy's MIFA market tell us what was gained — and lost — in the shift to virtual pitching.
The first few episodes of this animated documentary are now online. We speak to co-director Ed Bell.
War, gangsters, a drug-dealing piglet, and the gentle progress of an English couple's marriage. Pixar this ain't.
Social, economic, and public health crises — and a "Chicken Run" sequel.
How do you create a world that's both cute and threatening? The show's art director Angela Sung explains.
Veteran animator Morgan Williams offers motion designers some valuable advice — and runs courses for those who want to learn more…
Stay small. Keep family close. Don't be an asshole. These are some of the rules that have worked for animation director and studio owner J.J. Sedelmaier.
The initiative aims to "inspire local creativity while raising the bar for independent animation worldwide."
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
Is the festival warming up to animation at last?
"Black Jack" and the 1980 remake "Astroboy" are among the titles launching on the free streaming service Retrocrush.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Twenty animated features will be presented during next month's online-only edition of Annecy.
Arthur van Merwijk started making "Morphle" by himself. Now, it's a global entertainment brand with millions of Youtube subscribers and billions of views.
The Scooby-Doo origin story is the second animated tentpole to skip theaters for VOD.
When Sam Kishi wanted to incorporate animated segments into his live-action feature, he didn't have to look far. That's because he also runs the Mexican animation studio Platypus.
If March was defined by the shock of the coronavirus's global spread, April is when we started to really see its repercussions for animation, and glimpse how the industry may change for good.
The company says this must be done in order to retain jobs amid the crisis. Union representatives are worried about the long-term implications.