INTERVIEW: Mamoru Hosoda On The Profoundly Personal Making Of ‘Mirai’
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film "Mirai," opening this week in the United States.
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film "Mirai," opening this week in the United States.
The cause of the death was the neurodegenerative disease ALS.
We invited industry pros to tell Cartoon Brew readers what's inspiring them right now.
First-time animation filmmaker Mark Samsonovich talks to Cartoon Brew about how he became the animation director of the new indie feature 'We the Animals.'
It's been 20 years since Chris Landreth's groundbreaking short "Bingo" showed the world what Maya 1.0 could do.
Happy 94th birthday to a living legend, Gene Deitch, who was born on this day in 1924.
We talk to animation producer J.J. Sedelmaier about the technology used to create classic cartoons - and his new museum exhibit about animation equipment.
He was a master of limited television animation, and proved that it can be as fun and creative as full animation.
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
To make the film he truly wanted to make, industry artist Robin Joseph had to go indie. Now, his film "Fox and the Whale" is shortlisted for an Academy Award.
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
A big hit in Japan, "A Silent Voice" has made its to American theaters. We spoke with the director about her one-of-a-kind film.
Women in animation speak openly with Cartoon Brew about what it means to work in the business while being a mom, and what the industry should be doing to support their careers.
"Bambi" offered a warning to humanity, but no one listened.
Old man yells at computer graphics, vfx supervisor corrects him.
A haunting animated gem, created entirely by one person, starts its U.S. theatrical run today.
How Sony referenced the original material and looked to new horizons for the latest Smurfs feature film.
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
Academy members' flippant attitude and outright disdain for animation has led to a crisis of confidence in the organization's abilities to judge animation.
As entertaining and satisfying as "Zootopia" may be on a scene-by-scene basis, the movie ultimately fails because it insists on having it both ways simultaneously - anthropomorphic and metaphoric.