At least 20 vfx artists have lost their jobs.
New research looks at gender, ethnicity, inclusivity, and pay in the U.K.’s animation, vfx, and post-production sectors.
Why vfx artists had to closely adhere to character silhouettes in “Godzilla: King of the Monsters.”
Analysts project “Aladdin” will gross somewhere between $75-$85 million through the extended holiday weekend.
A key figure from Pixar’s glory days will head up character animation for DNEG’s burgeoning feature animation group.
Titles include Blue Sky films, a “Bob’s Burgers” feature, and the hybrid cg/live debut of Chris Sanders.
It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
Who’s in and who’s out – here’s a look at the field of contenders for the visual effects Academy Award.
Venom’s many forms and many states meant vfx artists had a lot of problems to solve.
As usual, animation and vfx played a big role in the making of “Ant-Man and The Wasp.”
Here’s what it took to animate the giant Jaeger robots in “Pacific Rim Uprising.”
Who’s going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
Locksmith will create a second pipeline of animated features made in the U.K. to complement Fox’s existing series of Blue Sky animated features.
We’re launching this new resource to help readers keep track of American animated features in development.
Director Patty Jenkins “always couched the visual effects in emotions,” the film’s vfx supervisor Bill Westenhofer tells Cartoon Brew.
By the end of production, even the vfx artists and filmmakers had difficulty telling the real cars apart from the digital ones.
Behind the scenes of the film’s biggest beasts.
Find out how Double Negative created a battle sequence between skeletons and invisible creatures in Tim Burton’s latest film.
The studio won an Oscar this year for its vfx work on “Ex Machina.”
The two companies combine staffs into a worldwide workforce numbering over 525 artists.
Disney’s ‘Big Hero 6’ and ‘Feast’ both won Oscars tonight.
While the Academy still hasn’t released a shortlist for the visual effects category, we identify the frontrunners in this year’s Oscar race.
There are big developments in the UK animation industry in the wake of a much-heralded tax break received by the British animation industry that went into effect last year. Sarah Smith, the former creative director of features at Aardman Animations, is setting up a studio named Locksmith Animation. She bills it as the UK’s “first high-end CGI feature animation studio,” and it is focused on creating a long-term slate of films for worldwide distribution.
I still haven’t seen Andrew Stanton’s John Carter, but that didn’t lessen (and perhaps enhanced) my enjoyment of this nifty character …
Quick Turnaround Times for 3D Modeling, Painting, and Texturing Assignments Help VFX House Meet Big Studio Expectations for Just-Released …