Kantor mixes live-action footage with 2d computer animation, acrylic on paper, photography, and rotoscope to examine how we perceive memory.
“Slow Light” employs paper cut-out stop-motion and b&w hand-drawn animation to differentiate between overlapping timelines.
A producer explains how they built a pipeline for the upcoming hybrid series “Royals Next Door.”
Music video for Iron Maiden’s “The Writing on the Wall.”
Music video for a Chemical Brothers song, mixing archival footage, hand-drawn animation, and
The Canadian director has followed his 2019 film “Ville Neuve” with an equally multi-layered, mesmerizing work.
On a train journey without stops or destination, each passenger has a problem that they need to solve or embrace.
A surreal ode to rebirth and reinvention haunted by the genial spectre of Buster Keaton.
An elderly couple is addicted to a psychedelic face cream.
Cartoon Brew speaks to directors Luis Usón and Andrés Aguilar about their award-winning hybrid short film.
A video is dedicated to the lives of endangered bird species.
Music video for Thom Yorke’s “Last I Heard (…He Was Circling the Drain).”
Starring a tyrannical ladybug, “The Shadybug” pushes ASN’s brand as an ethical bank.
Object animation, mural painting, and live performers tell the story of a child trying to piece together a divorce.
Winner of the Vimeo Staff Pick Award at the 2019 Ottawa International Animation Festival.
A new music video from independent L.A. animator Max Winston.
Winner of over 35 festival awards, Jonatan Schwenk’s graduation film “Sog” debuts online today.
The Dutch filmmaker Rosto talks about reaching the end of his Thee Wreckers Tetralogy, a personal fantasia of visuals and audio that’s quite unlike anything else.
A hybrid digital and traditional process was used to create this music video for Mitski’s “A Pearl.”
A man plunges into his reservoir of memory, nostalgia, and regret.