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Director Tomás Pichardo Espaillat speaks about his bigscreen accomplishment and how he turned limitations, like a lack of animators in his country, into an opportunity to experiment creatively.
‘Dandelion’s Odyssey,’ which premiered at Cannes Critics’ Week, presents a daring fusion of time-lapse photography, robots, cg animation, and macro-photography.
The British student film played at dozens of festivals including Annecy and Zagreb.
In the video for the band Kiwi Hug, icky green snail creatures try to devour the band members.
“I’ve learned [the puppets’] limitations and enjoy finding ways to push those boundaries and work with them creatively,” says Kristina Dufková. “What initially felt limiting compared to drawn animation became incredibly fun for me.”
‘Curiosa’ explores the question of how much we should know about our romantic partners, and how much is too much.
The NFB film earned its Oscars qualification by winning the Helen Hill Award for animated short at the New Orleans Film Festival.
Featuring intricately crafted wooden-style puppets with hand-drawn eyes and mouths, the short serves as a fitting coda to McHale’s masterpiece.
The film is directed by the Polish duo Katarzyna Kijek and Przemysław Adamski.
Ole Tillmann, art director of ‘Harold Halibut,’ walks us through the production process of one of 2024’s most distinctive-looking video games.
Kantor mixes live-action footage with 2d computer animation, acrylic on paper, photography, and rotoscope to examine how we perceive memory.
“Slow Light” employs paper cut-out stop-motion and b&w hand-drawn animation to differentiate between overlapping timelines.
A producer explains how they built a pipeline for the upcoming hybrid series “Royals Next Door.”
Music video for Iron Maiden’s “The Writing on the Wall.”
Music video for a Chemical Brothers song, mixing archival footage, hand-drawn animation, and
The Canadian director has followed his 2019 film “Ville Neuve” with an equally multi-layered, mesmerizing work.
On a train journey without stops or destination, each passenger has a problem that they need to solve or embrace.
A surreal ode to rebirth and reinvention haunted by the genial spectre of Buster Keaton.
An elderly couple is addicted to a psychedelic face cream.
Cartoon Brew speaks to directors Luis Usón and Andrés Aguilar about their award-winning hybrid short film.