Locanro starts tomorrow and will host the world premiere of Sun Xun’s Magic Atlas. Xun spent a decade working with 500 artists to create the epic feature, which combines traditional Chinese techniques with an uncompromising commitment to handmade imagery. We spoke with the celebrated multi-disciplinary artist about the film’s enormous scale, shifting visual styles, and the cracks that inevitably appear when history is recorded.

Also from the festival circuit, Fantasia standout Cherry and Virgin director Masanao Kawajiri explained how rotoscoping, manga-inspired artwork, and clashing character designs helped him explore sex, desire, and intimacy. And Ottawa programmer Chris Robinson, with input from several industry colleagues, explored tough questions about whether festivals should boycott films based on their countries of origin, particularly during the wars in Ukraine and Gaza.

Elsewhere, the Annie Awards opened submissions and introduced a new international anime category, Australian studio Flying Bark teamed with Olan Rogers’ Lightfold on an original animation project, and Amazon began developing a Warhammer 40,000 series centered on the Deathwatch. And Chinese animator Zehao “Tara” Hou told us how USC’s abrupt decision to close its Expanded Animation program pushed her to turn two years of animation experiments into the vibrant experimental short The 70 Deadly Sins.

Check out these stories and more at cartoonbrew.com.

Jamie Lang

Jamie Lang is the Publisher and Editor-in-Chief of Cartoon Brew.

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