International collaboration takes center stage in our second dispatch from the Tokyo International Film Festival, where international producers discuss how to bring animated projects across borders, and Ervin Han offers a closer look at an upcoming feature putting those ideas into practice.

In a TIFFCOM panel, Han joined Taiki Sakurai (Salamander Pictures) and Ilan Urroz (Foliascope) to examine the opportunities and challenges of international co-production, from financing structures to finding partners with complementary strengths. Their discussion highlighted the differences between Europe’s extensive public funding systems and Asia’s reliance on private investment, as well as the creative possibilities of connecting artists across countries.

Han also spoke with us about A Banquet for Hungry Ghosts, an animated horror anthology bringing together studios from Singapore, Malaysia, Taiwan, and Ireland. Following the Annecy success of The Violinist, the producer is developing four tales built around Chinese dishes, with distinct visual approaches and a shared ambition: make the food look delicious before things turn horrifying.

Expanding into the festival’s feature lineup, we spoke with the filmmakers behind four titles in Tokyo’s lineup about their craft. Atsushi Nishigori explores the contrasting styles of Grotesqqque, while Masanao Kawajiri breaks down Cherry and Virgin’s inventive combination of manga imagery and rotoscoping. Joel Crawford and Januel Mercado discuss bringing Filipino culture and memories to Forgotten Island, and Sun Xun reflects on the decade of handmade experimentation behind Magic Atlas.

Check out these stories and more at cartoonbrew.com.

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Jamie Lang

Jamie Lang is the Publisher and Editor-in-Chief of Cartoon Brew.

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