Gísli Darri Halldórsson on ‘Yes-People’ (Oscar Shorts Interview Series)
The Icelandic filmmaker speaks about photograph, shoestring budgets, and the beguiling power of a single syllable.
The Icelandic filmmaker speaks about photograph, shoestring budgets, and the beguiling power of a single syllable.
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
Jen Hurler reflect on her time at the studio, which will shut down in April.
Some of the best, funniest, and downright weirdest films on the animated shorts circuit are now available to view for free online.
The initiative aims to "inspire local creativity while raising the bar for independent animation worldwide."
Get drunk with your director, treat them like a spouse, and be ready to annoy them. This worked for Nicolas Schmerkin, at least.
Shorter festival windows, easy access to digital production tools, and uninhibited explorations of sexuality are just some of the recent developments in the world of animated shorts.
Learn about the wide variety of careers taken up by alumni of School of Visual Arts's animation, computer arts, and vfx courses.
JonJon made an animated director's commentary to explain how he creates commissioned animation projects on tight deadlines.
Cartoon Brew gets an early preview of Ollie VR, a new tool designed to ease people into animating in vr.
This deal marks the third major vfx/animation studio that Cinesite has acquired in the last few years.
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
This year's GLAS had all of the essential ingredients that make a great festival.
Cartoon Brew attends DOK Leipzig to look at how a festival mixes together animation and documentary filmmaking.
3D Wire is a major Spanish animation event that highlights the vitality of the country's animation, video game, and new media industries.
The emoji movie is turning into the app movie.
Popular DJ and record producer Bassnectar has used Max Hattler's films for years without permission or compensation,
Filmmaker David OReilly reports on his experiences at the one-of-a-kind Georama animation festival in Tokyo.
The art provocateur has transformed a derelict English seaside resort into the " UK’s most disappointing new visitor attraction.”
Male artists and the Disney Company continue to dominate the Academy's animation and vfx branches.