‘Powerpuff Girls’ Reboot Coming in 2016
Cartoon Network is reviving "The Powerpuff Girls" as a regular series, the network announced on Monday.
Cartoon Network is reviving "The Powerpuff Girls" as a regular series, the network announced on Monday.
Twenty years ago, we had 'urban' Looney Tunes merchandise. Today, we have the characters being pasted on top of human bodies.
Based on Michael Bond’s 1958 children’s book "A Bear Called Paddington," the live-action/CG hybrid "Paddington" tells the story of a Peruvian bear who finds himself living in London. The film will be released on November 28, 2014 in the Uk, followed by a Christmas Day release in the United States by the Weinstein Company/ Dimension Films. Based on Michael Bond’s 1958 children’s book A Bear Called Paddington, the live-action/CG hybrid Paddington tells the story of a Peruvian bear who finds himself living in London. The film will be released on November 28, 2014 in the Uk, followed by a Christmas Day release in the United States by the Weinstein Company/ Dimension Films.
Poor Garfield. In his heyday, he was amongst the most beloved characters on the funny pages, his plush likenesses fastened to car windows and his sarcastic barbs adorning office walls around the globe. Then, somewhere along the line, he underwent a pop-cultural re-evaluation. Jim Davis’ strip is now something of a pariah: just look at how "The Simpsons" paired it with "Love Is" as the kind of strip that Milhouse reads. What a comedown for a character once hip enough to be quoted in “Two Tribes” by Frankie Goes to Hollywood. But yet, the orange cat has been saved from cultural oblivion by a peculiar trend: the remixed "Garfield" strip.
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.
Disney's head animation writer in 1977 was cartoon veteran Larry Clemmons, who had first been hired at the studio in 1930. At the time of his hiring, he was a Yale graduate with a degree in architecture, but an Ivy League education was of little value in 1930 when the economy was collapsing...and few buildings were being erected.
Veronika Samartseva is an animation director from Germany, who specializes in analog animation techniques. Her award-winning films have been shown at international festivals worldwide. After her graduation from HFF Konrad Wolf Babelsberg, Veronika joined the Berlin-based animation collective Talking Animals. Recently she started teaching animation at the BTK University of Design.
West Coast residents are in luck: if you can't make it to an international film festival, the festival is coming to you.
Every time you want to stop writing about "Frozen," it breaks another record. This weekend, the Disney smash hit remained in first place at the Japanese box office for an incomprehensible eleventh weekend in a row.
As long as I've loved animation, I've been fascinated with the personal stories of people who work in the animation business. Not simply, "What character did you make?," but WHY and HOW did you make it? I became actively involved in documenting those stories when I published the print 'zine "Animation Blast," and it's something I've never stopped doing. For me, it wasn't just about talking to a handful of familiar directors and animators, but to talk with everyone, especially those who had worked quietly in the trenches and whose stories hadn't yet been told.
The first chapter of Steve Hulett's memoir about working as a writer at Disney in the late-Seventies and Eighties.
This is an animated documentary short film about FOOOOOOOOOOOD! I interviewed people their opinions about food, and animate real food based on the soundtracks with stop-motion technique.
Yesterday in New York City, Microsoft unveiled the Surface Pro 3, the latest iteration of its fully-featured PC/tablet with pressure-sensitivity and an abililty to run any PC-based creative software from Adobe's Creative Cloud suite to Toon Boom, Maya and ZBrush, to post-production filmmaker tools like Assimilate’s SCRATCH and RED’s CineX.
The 45th annual ASIFA-East Animation Festival Awards took place last Sunday in Manhattan. The long-running ceremony, which celebrates achievements in East Coast animation, is making an effort to gradually transform its annual ceremony into a more upscale affair.
Although Greg Centineo, the producer of "Legends of Oz: Dorothy's Return," had hoped for a big second weekend, the film plummeted 48% this weekend and ended up with a sophomore frame of $1.9 million. The movie has struggled to find a fan following, except for the film's Facebook page which is filled with a curiously large number of middle-aged and elderly people who absolutely adore the film.
Last night Jeff Koons sold a sculpture of Popeye for over $28 million. Today, evidence has emerged that Koons may not have designed the sculpture. In the comments of our previous post about the Popeye sculpture, Brew reader Alex Kirwan pointed out that Koons's sculpture bears a substantial similarity to a Dark Horse-produced Popeye PVC figur released in 2002.
Tonight in New York City, Sotheby's will auction a stainless steel, 2000-pound, six-and-a-half-foot-tall Popeye sculpture by Jeff Koons that is estimated to sell for between $25-35 million. Koons, who is already among the top three richest living American artists not to mention an avowed lover of "Croods," made three of these Popeye sculptures, which probably represents the number of people who he thinks are dumb enough to pay between $25-35 million for a Popeye sculpture.
Our post on Andy Serkis's inflammatory rhetoric about the limited role of animators on his motion capture performances generated a robust, often heated, discussion in the comments. By far, the most informative comment was provided by 3-time Oscar winner Randall William Cook, who was the animation supervisor and designer at WETA on the "Lord of the Rings" trilogy that was released between 2001 and 2003.
Laika does amazing work as an animation studio, no doubt about it, but the studio's history is somewhat less admirable. The company was built on top of Will Vinton's eponymous Portland studio in a shrewd corporate takeover by multi-billionaire Nike co-founder Phil Knight. After Knight took control of the company in 2002, he placed a failed rapper named Chilly Tee with slight experience in animation, who also happened to be his son Travis Knight, in charge of the entire company.
Cartoon Brew-ED is our new educational initiative that is edited by veteran animator and teacher Colin Giles. This new forum offers helpful animation tips, links to learning resources, and original educational content.