2026 Oscars Short Film Contenders: ‘Autokar’ Director Sylwia Szkiłądź
Szkiłądź’s 'Autokar' turns a child’s unaccompanied 1990s migration by bus from Poland to Belgium into a magical-realist journey of self-discovery.
Szkiłądź’s 'Autokar' turns a child’s unaccompanied 1990s migration by bus from Poland to Belgium into a magical-realist journey of self-discovery.
Director Guillaume Dousse reveals how Netflix’s 'Splinter Cell: Deathwatch' blends gritty realism, silence, and bursts of intense action.
Oscar-winning filmmaker and story artist Mark Andrews wowed Comic-Con Málaga with an improvised storyboarding masterclass.
French hybrid special ‘TRASH!’, a dark comedy about the afterlife of a coffee cup, gets global distribution from Miam!, expanding the company's YA catalog.
Gutiérrez’s Spec Labs talk, 'Fighting With Autism,' screened at Comic-Con last month and inspires with personal stories and support for neurodivergent artists.
Disney’s Marlon West, 'Avatar' VFX vet Brooke Breton, and 'Shrek' costume designer Isis Mussenden bring animation and effects to Academy Foundation’s board.
Coinbase teams up with Aardman for “Human Nature,” a stop-motion series using real voices to explore financial stress and introduce crypto concepts.
Jorge Gutiérrez shares how autism shapes his storytelling and why embracing neurodivergent artists leads to bolder, richer, and more original animation.
Jamie Lang becomes owner/editor-in-chief of Cartoon Brew, taking over from co-founder Amid Amidi.
Some notes about the future of Cartoon Brew.
"The ultimate challenge," said co-director Chris Appelhans, "is that pop music, above all, needs to be a bop and it needs to be hooky, and it needs to be irresistible."
A deep dive into three new indie Canadian features screening at Annecy.
Third Floor co-founder Josh Wassung explains how they built an animation studio around "Predator: Killer of Killers."
Showrunner Christian Linke, co-director Barthelemy Maunoury, and screenwriter Amanda Overton speak about the production of the trailblazing animated series.
Watch a half-hour conversation with 'Love Death & Robots' creator/director/executive producer Tim Miller and series supervising director Jennifer Yuh Nelson.
Australian directors Emma Hough Hobbs and Leela Varghese made their Berlin-premiering feature film for just $600,000.
Nick Park and his longtime collaborate Merlin Crossingham review the craft, technique, and stop-motion performances of Netflix's latest Oscar-nominated feature.
Two projects dominated at the 52nd annual Annie awards.
You're invited to a free screening of the latest Wallace & Gromit feature followed by a reception with the directors.
Start your year right - with Wallace & Gromit!