Joel Crawford On How ‘Puss In Boots: The Last Wish’ Explores New Territory, Both Aesthetic And Emotional
"This is a story about mortality," says director Joel Crawford of "Puss in Boots: The Last Wish," a sequel that pushes beyond the original film.
"This is a story about mortality," says director Joel Crawford of "Puss in Boots: The Last Wish," a sequel that pushes beyond the original film.
In addition to new details about previously announced titles, three new Disney and Pixar features were announced.
Critics agree that anyone with Disney+ account would be better served by simply rewatching the 1940 original.
Anthropomorphized male salmon race upstream towards a group of seductive would-be fish mothers in the award-winning Swiss short.
After Israel's government decided to support only live-action film, the country's animators banded together and pressured the bureaucrats to change their course.
Critical reviews have been mixed for the first feature from Skydance Animation.
We review two unique titles from this year's Annecy Contrechamp competition.
These guidelines will help facilitate a better working relationship between clients and artists.
Apollo 10 1/2 director Richard Linklater discusses his return to rotoscope, crafting a visual narrative, and the flexibility of memory.
The show's spin-off, Human Resources, has also received a second season pick-up.
The streamer has also picked up a trio of other pre-school series, and greenlit the second season of a fourth.
"You have more control over the scope of the animation process," says Mik Kirchheiner of animating directly with a tablet.
Watching the series "was the first time that it really became clear to me what a director does," says Chung.
The French animation studio behind Netflix's "City of Ghosts" walks us through their approach on this unorthodox series.
Can you tell your Starevich from your Švankmajer? Oyama from Ofuji? If not, The Cinema Cartography's video is here to help.
Spanish animator Mònica Eggert has achieved something rare: she's made a demo reel that's a hit with audiences. We asked her about how it came together.
An effect made famous in live action also has application in animated filmmaking.
"The more you expand your own emotional journey through life, the more the movie gives back to you," says Desrumaux.
Veteran animator Dave Pruiksma ("Beauty and the Beast," "Aladdin") reflects on what he learned at Disney and why he set up an online school.
A tribute to the talents the community lost this year: animators and cartoonists, directors and producers, voice artists, dancers, and basketball players.