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SIGGRAPH has announced the winners of its 41st annual Computer Animation Festival. These projects will be shown amongst more than 100 pieces at the 2014 conference that will take place August 10-14 in Vancouver, Canada.
I was back in Don Duckwall's office, exchanging insincere smiles with him. I had been on "The Fox and the Hound" with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Peco and Dragon battle it out in a fierce match, and Peco's victory paves the way for a climactic showdown between old friends.
Poor Garfield. In his heyday, he was amongst the most beloved characters on the funny pages, his plush likenesses fastened to car windows and his sarcastic barbs adorning office walls around the globe. Then, somewhere along the line, he underwent a pop-cultural re-evaluation. Jim Davis’ strip is now something of a pariah: just look at how "The Simpsons" paired it with "Love Is" as the kind of strip that Milhouse reads. What a comedown for a character once hip enough to be quoted in “Two Tribes” by Frankie Goes to Hollywood. But yet, the orange cat has been saved from cultural oblivion by a peculiar trend: the remixed "Garfield" strip.
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.
Disney's head animation writer in 1977 was cartoon veteran Larry Clemmons, who had first been hired at the studio in 1930. At the time of his hiring, he was a Yale graduate with a degree in architecture, but an Ivy League education was of little value in 1930 when the economy was collapsing...and few buildings were being erected.
Kaio finally tries to poach Smile, Peco gets into the National Training Center with a little help from the old lady, and we learn about coach Koizumi's storied past. This episode was largely devoted to character development, and finally brought into focus just what a complicated web of character interrelations Yuasa has woven out of the original source material, much as he did in Mind Game. There was no single major driving plot element, but rather various themes and plotlines gradually converging. By this point it feels like what we are seeing is more Yuasa than Matsumoto.
Half a year on from the events of the previous episode, it's a winter of the soul for the various protagonists. We see just how much has changed in the intervening months through the kaleidoscopic lens of one Christmas Eve.
In his never-ending quest to be recognized as a serious thespian, character actor Andy Serkis continues to minimize the role of the animators who make his performances possible. With each interview he gives, Serkis seems to do more and more of the work, and the animators less and less. About the only thing Serkis doesn't do at this point is build his own motion capture rigs and provide his own craft services.
Marc James Roels and Emma De Swaef are an animation duo from Ghent, Belgium. Their work has gained extensive notoriety in the past few years, after their 17-minute wool-animated short "Oh Willy…" swept the festival circuit, racking up countless awards and charming the hearts of audiences across the globe.
Ralph Bakshi pulled himself away from his drawing desk in New Mexico to chat with Cartoon Brew about his legacy, his latest project "The Last Days of Coney Island," which he recently funded on Kickstarter, and what he really thinks about the computer’s role in animation these days.
The Walt Disney Family Museum has opened a new exhibit focused on one of the studio's legendary Nine Old Men: "Leading Ladies and Femmes Fatales: The Art of Marc Davis." The show will be up through November 3. Unlike the museum's current Mary Blair exhibition, the Davis show is much smaller, with around 70 pieces on display.
The championship grinds on. After Smile’s defeat at the hands of Kong, the tables are turned and the elite players of Kaio Academy come …
During YouTube's splashy Brandcast upfront event on Wednesday, DreamWorks announced the launch of DreamWorksTV, a new streaming children's channel that will offer original animated and live-action programming, as well as vintage animation content.
Tensions run high during the high school championships, and all eyes are on the showdown between Kong and Smile. The third episode jumps abruptly from Smile's training in episode 2 right to the championships, and to a Smile who has begun to gain the confidence to show his true potential.
The elaborate "Simpsons" couch gag directed by Sylvain Chomet ("Triplets of Belleville," "The Illusionist") now has a making-of video courtesy of the production company that produced the opening, London-based th1ng.
A recap of the first episode of Masaaki Yuasa's new series "Ping Pong."
The first extended clips have been released from The Tom and Jerry Show which premieres tomorrow, April 9th, at 5:30/4:30 Central on …
Mark Mayerson, a TV show creator, animator, and teacher, has written what may be the single best thing I've ever read about the contemporary animation pitching process.
After three years of tryouts and short runs in a total of four different cities, Disney Theatrical’s version of "Aladdin" finally opened on Broadway March 20th at the New Amsterdam Theatre. So now that it's here, how does it compare to the animated "Aladdin" we all know and love? After seeing the musical a few days ago, here are my observations.