‘Living Between 2D And 3D’: How ‘The Bad Guys 2’ Pushed Its Hybrid Animation Further
DreamWorks animators reveal how 'The Bad Guys 2' amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
DreamWorks animators reveal how 'The Bad Guys 2' amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
Nick Park and his longtime collaborate Merlin Crossingham review the craft, technique, and stop-motion performances of Netflix's latest Oscar-nominated feature.
Kris Anka and Jesús Alonso Iglesias discuss some of the most memorable characters from the Oscar-nominated Spidey-sequel.
Developers can now access the suite of cloud-native AI microservices that make it easier to build and deploy avatars at scale.
The software was used to create characters' clothes in the game, as well as cybernetic parts, backpacks, ammo bags, and even weapons.
Jorge Gutiérrez and Sandra Equihua talk us through their influences, from Mesoamerican sculptures to sword-and-sorcery characters to Miss Universe costumes.
Welcome to Series Craft, a new series in which we explore a particular creative facet of a show's production in-depth and discuss the creative choices that lead to the finished result onscreen.
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
The plug-in for Reallusion's Character Creator software lets users generate 3d animated digital humans from a single photo.
In the second part of this exclusive series, we explore the production design of "Animal Behaviour," "Bird Karma," "Late Afternoon," "Grandpa Walrus," and "Weekends."
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
See exclusive teasers for projects that debuted at the Cartoon Forum co-production platform.
Cartoon Network's new "DIY" miniseries is a quirky and inspiring experiment, both conceptually and production-wise.
We talk to animation producer J.J. Sedelmaier about the technology used to create classic cartoons - and his new museum exhibit about animation equipment.
A new software, Akeytsu, aims to make rigging and animation easier and faster for cg animators.
The images that Jay-Z uses in his new music video will be familiar to anyone who knows American animation history.
The animation and design of ‘The Boss Baby’ is a deliberate throw-back to old-school styles.
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
Favorites of 2008? Cartoon Brew co-editor Amid certainly chose several that could have/would have made the top of my list. However, upon …
Today offering on Cartoon Brew TV is The Last Temptation of Crust, a graduation film created by Dax Norman at Ringling School of Art and …