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‘The Legend Of Hei’ Review: Spirits Clash And Coexist With Humans In This Refined Chinese Fantasy
The film releases today on digital platforms in North America.
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Madeline Sharafian on ‘Burrow’ (Oscar Shorts Interview Series)
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
Book Review: “Dreamworks Animation: Intertextuality And Aesthetics In ‘Shrek’ And Beyond”
In a new book, Sam Summers sets out to dissect how the Dreamworks formula, with its pop tunes, celebrity actors, wink-wink gags, differs from Disney's.
Taylor Meacham Drew On Memories And Magic To Make His Oscar-Contending Short ‘To: Gerard’
The short, which Meacham directed at Dreamworks Animation, speaks a simple truth: you never know whose life you could change.
Tools Of The Trade: Olivier Lescot on Adobe After Effects
The director describes the software's unique advantages, and explains how he harnessed them in his recent commercial for Ariana Grande's R.E.M. fragrance.
‘Lupin III: The First’ Interview: The Joys And Challenges Of Translating The Classic Franchise To CG
We discuss the gentleman thief's first cg outing with Tomokazu Sakamoto and Tatsuya Akagi, animation and rigging supervisor on the film.
Watch The First Trailer For Warner Bros.’s Hybrid ‘Tom & Jerry’ Reboot
Eighty years after they first appeared, Tom & Jerry are headed to the bigscreen as cg characters.
Here’s The Biggest Animation News You Missed In September
Release date reshuffles, a "Lion King" sequel, a new studio from Don Bluth, and more…
Exploring Toon Boom Harmony’s Watercolor Effects And Textures With Animator Anja Shu
Shu, a Toon Boom Ambassador, explains how she used Harmony 20 to create a hand-painted aesthetic.
A Character Animator’s Adventures In Motion Design
Veteran animator Morgan Williams offers motion designers some valuable advice — and runs courses for those who want to learn more…
Secrets Of A Creative Marriage: 10 Animation And Filmmaking Tips From Disney Directors Ron Clements And John Musker
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…
Studio Ghibli’s Steve Alpert: Disney ‘Could Have Pushed The Ghibli Films Harder’ (Interview)
Ghibli's former head of international speaks about the studio's awkward relationship with Disney — and much more — ahead of the release of his memoir.
How To Adapt An Illustrated Book Into Animation: 5 Lessons From Gene Deitch
The late filmmaker made dozens of films based on children's books. In a 1977 documentary, he explained how to do this well.
INTERVIEW: Dean DeBlois And Simon Otto Talk About The Animation Evolution In ‘How to Train Your Dragon’ Trilogy
We speak to director Dean DeBlois and head of character animation Simon Otto about the Oscar-nominated "How to Train Your Dragon: The Hidden World."
Creating The Himalayas For Final Scenes Of ‘Missing Link’ Was One of Laika’s Most Challenging Environments Ever
When it comes to making icy peaks look real, the landscape team took pains to get it right.
How They Did It: Jérémy Clapin Explains The Unconventional Production Process Of ‘I Lost My Body’
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
A New Youtube Rule Is Threatening Animation Content Creators. Here’s What You Need To Know About COPPA.
Thanks to Youtube's new implementation of U.S. law, animators may be at risk of losing most of their revenue from the video hosting site.
Making ‘Frozen 2’: Disney’s Team On How They Approached The Story, Design, And Animation
The artists behind the sequel have described their creative process in a range of interviews. We've compiled their most intriguing comments.
Watch The Trailer For ‘Violence Voyager,’ The Strangest (Almost)-Animated Feature Of The Year
The film, by Japanese artist Ujicha, is made with a lo-fi cutout technique known as "gekimation." It will be available for streaming on October 21.
‘Spider-Man Far From Home’: How Do You Animate a Fiery Creature…That Grows?
Lessons from Luma’s animation supervisor on the fiery Elemental in the film.
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