Skydance Media Acquires Animation Unit of Madrid-Based Ilion Studios
John Lasseter is running an entire animation studio again.
John Lasseter is running an entire animation studio again.
The film's global opening could break the $100-million mark, despite turmoil caused by the coronavirus.
Brenda Chapman is set to write and direct the hybrid Halloween fantasy, ten years after leaving Pixar's "Brave" mid-production.
We speak to the directors behind "Daughter," "Memorable," "Kitbull," "Sister," and "Hair Love."
The artists behind the sequel have described their creative process in a range of interviews. We've compiled their most intriguing comments.
How three female-directed features use animation to explore complex social themes.
The program includes Oscar contenders like "I Lost My Body" and "Weathering With You," and plenty of U.S. premieres.
Howard Vause documents his journey from media arts to animation director, and how he used Cartoon Animator to create his first professional animated short.
A preview of upcoming animation books.
Thurop Van Orman, creator of "The Marvelous Misadventures of Flapjack," makes the most of his feature directorial debut.
The fire that killed 34 animation workers is thought to be an arson attack. Japanese police have a suspect: a 41-year-old convicted criminal.
She directed iconic animated shorts like "Asparagus" and "Joy Street."
A look at new and upcoming animation series for tv and streaming.
A lot of people are wondering why Paramount even made this film.
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
As we head into 2019, the School of Visual Arts in New York City offers a sneak peek at some of its outstanding in-progress thesis projects.
The director of "Tito and the Birds" speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
"I don’t approach production design from the standpoint of style; I approach it from the standpoint of character," says "Spider-Man: Into the Spider-Verse" production designer Justin K. Thompson.
In another major coup for Netflix, the streamer has signed an exclusive deal with a leading creator of preschool programming.
Venom’s many forms and many states meant vfx artists had a lot of problems to solve.