Disney Villains Series In Development For Disney+ Streaming Service
The series will be adapted from Serena Valentino's "Villains" book series.
The series will be adapted from Serena Valentino's "Villains" book series.
The Dutch filmmaker Rosto talks about reaching the end of his Thee Wreckers Tetralogy, a personal fantasia of visuals and audio that's quite unlike anything else.
The project is set in a futuristic reality where robots rule and humans are believed to be extinct.
Georgia Cano, one of the three lead plaintiffs in the animation wage-fixing lawsuit, speaks out for the first time.
Here are the nominees in the Academy's three animation-related categories.
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
See the complete list of nominations for the 2019 VES Awards.
Animation will play a huge role in Disney's 2019 output.
Here are the ten films moving forward in the race for the 2018 visual effects Academy Award.
All the major VFX films that you'd expect are on the Academy Awards shortlist, plus a few surprises.
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film "Mirai," opening this week in the United States.
Cartoon Brew makes sense of the virtual production phenomenon, and provides resources that filmmakers can use to start experimenting with virtual production techniques.
Hosoda's new film opens in the U.S. later this month.
ILM TV will offer vfx and animation services for episodic work on streaming and linear tv platforms.
SMODO wants to make stop motion a more widely accessible animation technique.
Who's in and who's out – here's a look at the field of contenders for the visual effects Academy Award.
Will Vinton, a seminal figure in the development of commercial stop motion animation in the United States, has passed away.
Phil Tippett's visual effects mastery will be celebrated at the Museum of Modern Art.
Here's our exclusive list of over 60 animated shorts that have qualified for the Academy Awards this year.
How have things changed at Pixar since John Lasseter stepped down as chief creative officer?