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Preview: Ed Emberley Monograph
Designer Todd Oldham, who has compiled impressive monographs on mid-century illustrators and designers like Charley Harper and Alexander Girard, looks to have made something special again with his book on Ed Emberley.
Search Results forcreating a cartoon with ai
Breaking: Disney Sets ‘Moana’ For Late-2016 Release
Disney announced this afternoon that Moana, their 56th animated feature, will be released into theaters in late-2016. The film will mark …
Sticky Jots are Storyboard Pads for Mobile and Tablet Filmmakers
Here's an inevitable product of our time: custom-designed storyboard pads for people creating content specifically on iPads and iPhones.
New Job Openings at Google Doodles, Gumball, Moonbot, Moving Colour and Nick
Are you hunting for a great animation job? The Cartoon Brew Job Board is the ideal place to look for your next gig.
Brazen Animation Launches in Dallas
Brazen Animation, a new animation studio comprised of animation veterans from Disney, Blue Sky, Reel FX and Green Grass Studios, has launched in Dallas, Texas.
CBTV: ‘Final Serving’ by Florian Maubach
Surrounded by nothingness, a knight lives with his wife in a small house. Every day he must defend their home against attacks of other knights. What he gets as reward is love and a satisfying meal.
Interview: John Canemaker on Discovering Disney’s Moviemaking Secrets
Animation historian John Canemaker talks about the process and challenges of creating the monumental new biography "The Lost Notebook: Herman Schultheis & the Secrets of Walt Disney's Movie Magic."
Job Hunting? Here Are New Openings From Los Angeles to London
Are you looking for just the right animation job? The new Cartoon Brew Job Board is the ideal place to search.
Focal Press to Publish Andreas Deja’s Book on Disney Animation Techniques
Focal press has released cover art for what is sure to be one of next year's most popular animation titles: Andreas Deja's "The Nine Old Men: Lessons, Techniques, and Inspiration from Disney's Greatest Animators."
CBTV Student Fest: ‘Epilogue to a Breakup’ by Guy Elnathan
After a harsh breakup, our hero, Guy, decides to leave it all and fly to New Zealand hoping to find true love. However, he must first defeat his inner demons before he can put the past behind him.
‘Nightingale and Canary’ by Andy Thomas
Australian artist Andy Thomas specializes in creating ‘audio life forms’: beautiful abstract shapes that react to sounds.
Why Nick’s Pitch Program Doesn’t Work
Why Nickelodon's public pitching spectacles are a disservice to the network and to the artists who work there.
Nikon Introduces $4,000 Stop Motion Animator’s Kit
Stop motion animation just got a little easier with the introduction of Nikon Animator's Kit.
CBTV Student Fest: ‘Mr. Piggy Dies in 25 Dimensions’ by Josh Sehnert
Join Mr. Piggy on an adventure through time and space. Please wear 25-D glasses.
Is YouTube Making It Harder for Animators To Make Money?
Ross O'Donovan, an Australian animator who creates Internet cartoons using the handle Rubber Ninja, has posted a video that argues recent changes in YouTube's algorithms give preferential treatment to live-action content creators while making it more difficult for animation creators to earn money on YouTube.
‘Walking City’ by Universal Everything
"Walking City" is a continuation of Universal Everything’s artistic line of enquiry, investigating human movement, emotional design, architecture and sound.
How They Made ‘The Flintstones’: 15 Unpublished Photos
A rare behind-the-scenes look at how they made a seminal animated TV series.
Disney TV Inks Deals With Aaron Springer, Jhonen Vasquez, Jesse LeDoux, and Ryan Quincy
Disney TV Animation announced an unusual series of pilot deals and projects today with an un-Disney-like roster of creators.
‘Ping Pong’ Recap: ‘Blood Tastes Like Iron’ (Ep. 11)
Masaaki Yuasa's fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
‘Mouse in Transition’: Detour Into Disney History (Chapter 6)
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
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