Taiwan’s Next Media Animation
I’ve never written a post fully expressing my appreciation for the Taiwanese animators at Next Media Animation who create news segments …
I’ve never written a post fully expressing my appreciation for the Taiwanese animators at Next Media Animation who create news segments …
Whenever I appear on Shokus Internet Radio, I get to plow through Stu Shostack’s incredible library of TV Guide back issues – and I …
Award-winning filmmaker Signe Baumane writes to tell me that yesterday somebody flagged her one-minute short The Very First Desire Now …
The full shipment of ANIMATION BLAST #9 arrived this past weekend and everything looks great. I’m currently shipping pre-orders and I’d …
The boxes of the new issue of ANIMATION BLAST #9 are currently en route to Los Angeles, apparently on a very slow truck from Canada. …
There’s now an accurate contents listing for BLAST #9 posted on the newly redesigned AnimationBlast.com. Below is the wraparound cover …
Just a brief update on the status of ANIMATION BLAST #9: I’m almost done with the issue and planning to send it to the Canadian printer …
Here’s some interesting news that I hadn’t heard before. Nickelodeon Animation is giving up their Burbank studio at 231 W. Olive Avenue. …
> ASIFA MAGAZINE is relaunching this summer as the CARTOON JOURNAL. Chris Robinson will remain the magazine’s editor, but instead of …
Leaders at Tonko House, KuKu Studios, Titmouse, and Reel FX chime in on the potential impact of California's expanded incentives.
The Nacelle Company continues to fill out its nostalgia-driven Nacellverse, and will tease the new show at Comic-Con.
The unauthorized documentary provides new insights into the 30-year history of one of America's most famous animation studios.
Trump wants a 100% tariff on all films "produced in foreign lands" but no one in Hollywood knows what he means.
If Trump's executive is implemented, numerous animated series would lose federal funding.
Watch a video with behind-the-scenes footage from the production of the film.
As animation directors explore longer film formats, the trend is causing headaches for producers, distributors, festival programmers, and educators.
"Without AI, the work would take a minimum of one week to ten days. Using AI, it is about four of five hours," says the studio's design director.
Pixar's Bill Wise explains how the studio's new series was a "huge cultural change for Pixar," but concedes that the studio "learned little from our experiment."
'Spongebob' executive producers Marc Ceccarelli and Vincent Waller talk about why they love working with Screen Novelties on stop-motion projects.
Not that it matters, but critics didn't like 'Moana 2.'