It’s A Done Deal! Comcast Buys Dreamworks Animation for $3.8 Billion
Illumination's Chris Meledandri is taking over Dreamworks Animation.
Illumination's Chris Meledandri is taking over Dreamworks Animation.
"Zootopia" continues to be unstoppable.
"Why do you draw so many black characters?" A CalArts student explains how she answers this question.
Acting instructor Ed Hooks explores the animated performances of this year's five feature animation nominees.
Filmmaker David OReilly reports on his experiences at the one-of-a-kind Georama animation festival in Tokyo.
The French animation festival will do something that it hasn't done before: honor French animation.
We explore how the Pegbarians have built a career out of balancing commissioned and original work with (or around) YouTube’s monetization system.
DreamWorks says that it is not a reboot of its abandoned project "Me and My Shadow."
The director of Mexico's leading animation conference speaks with "Cartoon Brew" about the future of Mexican animation.
Women don't receive the same opportunities as men do in animation, and they're finally speaking out about it.
How often does Disney make sequels, spinoffs, and remakes based on its animated features? This chart explains.
Driven by enthusiasm and a can-do attitude, artists want to grow Cuba's underdeveloped animation industry.
Cartoon Brew has put together a list of all the known members of the Academy's animation branch.
Annecy's Marcel Jean and Mickael Marin speak with Cartoon Brew about the Annecy festival, which begins today in France.
The growing Austin animation studio is adding more space and employees.
"Why should kids be the only ones who get pleasure out of animation," says the revered indie animation director Bill Plympton. "It offends me that American animation is stereotyped this way."
Next week, the Cinefamily in Los Angeles will present its Animation Breakdown festival comprised of nineteen events over six days.
While animation has been made in Romania for many decades and the country has even produced some internationally recognized figures like Ion Popescu-Gopo, the contemporary animation scene hadn't received much exposure until the founding of the Anim'est festival.
The Los Angeles fashion label The Hundreds has been caught in the past selling merchandise with traced images from animated films. Is it legal? Is it ethical?
On a couple occasions throughout the years, people have asked me, Why do so many animated films have dead mothers in them?