How To Keep Working In A Pandemic: The Royal College Of Art’s MA Animation Graduates Share Their Tips
The graduating class of Royal College of Art's Master’s in Animation program is presenting their year-end exhibition online — and you're invited!
The graduating class of Royal College of Art's Master’s in Animation program is presenting their year-end exhibition online — and you're invited!
The company, which is home to many vfx and animation studios, is $1.59 billion in debt.
The symposium will be available to Annecy Online badgeholders from June 17.
Sowl's Solomon W. Jagwe explains how he harnesses iClone and Perception Neuron to animate his show.
The studio will focus on pre- and post-production work, and will house the Atomic Originals team.
Camila Kater explains how she combined five different mediums in her debut film — and why she compares women to meat.
We speak to director Dean DeBlois and head of character animation Simon Otto about the Oscar-nominated "How to Train Your Dragon: The Hidden World."
The festival’s third edition will be held at the French Institute Alliance Française on February 7–9.
Writers and storyboarders should talk more. Animation directors should be repped by the DGA. Oh, and Western shows sound better in Japanese.
Here are all the nominees in the animation categories.
The project is currently seeking a writer.
An exclusive look at Ubisoft's new animation program.
The program includes Oscar contenders like "I Lost My Body" and "Weathering With You," and plenty of U.S. premieres.
A preview of upcoming animation books.
Williams, one of the world's most acclaimed animators, has died aged 86. We look back over his wide-ranging career.
The Virtual Production Field Guide provides an overview of "one of the biggest technology disruptors of the visual medium."
Stephanie Betts and Todd Brian will oversee the creation of original animated series for the Canadian content titan.
"Revue du Film d’Animation" will only be published in French — to begin with, at least.
French producer Xilam, the studio behind "I Lost my Body" and "Oggy and the Cockroaches," will boost its cg output with this acquisition.
"From the start, I wanted to create a film that uses code," says Frei, whose film will screen next week at Annecy.