Why the Character Animation in ‘Kong: Skull Island’ Was Done Differently Than You Think
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
Why has "The Little Prince" been ignored this award season?
"I feel like I have learned more in the last three-and-a-half years than on anything else I've done before."
See what's new in vr at Sundance's New Frontiers program for 2017.
We look back at the making of Michael Jackson's "Black or White" music video on its 25th anniversary.
Jibjab has never been a conventional animation company—and that's how they like it.
A must-see screening series of Spanish animation, past and present, is coming to New York City.
Yesterday was Jeffrey Katzenberg's last day as head of DreamWorks Animation. What he created will never exist again.
Aaron Blaise is now offering annual premium memberships to his online art training website Creature Art Teacher. Save 25% exclusively through Cartoon Brew.
A new look at the historical epic, slated for completion in 2017.
At least it's a start to fixing Youtube's broken copyright claim system.
Rainmaker's approach to video game adaptations may need a rethink, while Disney is obliterating box office records in 2016.
Popular DJ and record producer Bassnectar has used Max Hattler's films for years without permission or compensation,
Among countless "Take On Me" homages and parodies, this is one of the weakest.
The world's largest gathering of animation artists reveals more of its 2016 programming line-up.
Creators are calling for an end to Youtube's current policies, which allow corporations to abuse American copyright law and restrict the free speech rights of independent artists.
The top animation prizes at both Sundance and Slamdance were won by student animated shorts from the U.K.
Lepore spoke with Cartoon Brew about the tactile wonder of stop-motion, gender and merit in animation, and why guest-directing 'Adventure Time' is a resume-stuffer that's hard to beat.
From low wages to concussions, producing a crowdfunded indie animated series isn't a job for the faint of heart.
Designed for directors and producers from both animation and live-action documentary, AniDox:Lab expands storytelling possibilities by mixing the two schools of filmmaking.