Malaysia Focus: A Look 3 Animation IPs That Reveal The Country’s Burgeoning Creative Talent
Three animation studios tell us what it takes to create an original show in the country.
Three animation studios tell us what it takes to create an original show in the country.
The new studio is creatively led by Brad Lewis, a veteran of Pixar and Dreamworks.
Angry reactions on Twitter have caused Nick Jr. to pull the premiere of an upcoming animated series.
Arthur van Merwijk started making "Morphle" by himself. Now, it's a global entertainment brand with millions of Youtube subscribers and billions of views.
An all-star team of former Disney talents decided to bring hand-drawn animation back in 2012. Their film was never made. For the first time, the project's sizzle reel is being shared…
The showrunners of three series — "Puffin Rock," "Moominvalley," and "Cupcake & Dino: General Services" — told us what helped them make the first season of their shows.
A preview of upcoming animation books.
Thurop Van Orman, creator of "The Marvelous Misadventures of Flapjack," makes the most of his feature directorial debut.
Jamaal Bradley has worked on some of Hollywood's biggest animation productions. Now he's making his directorial debut with the feature-quality independent short "Substance."
The creators of the Mexican mobile game Kleptocats took a hands-off approach when they produced an online animated series.
We preview "Mighty Mike," a one-of-a-kind animated series coming soon to Cartoon Network France.
A feature film adaptation of the long-running comic strip "B.C." is being prepared for 2021.
He was a master of limited television animation, and proved that it can be as fun and creative as full animation.
Read our case study of how a young Japanese studio is using Toon Boom to create traditional pencil-and-paper quality work, while respecting their artists’ process and culture.
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
Rémi Chayé's unique hand-drawn feature is earning plenty of accolades, but finding an audience isn't easy.
An animation-specific roundup of panels, presentations, and other cartoon goodness at America's biggest pop culture festival.
The Hungarian animation director opens up on his more than 50 years in animation.
Albert 't Hooft and Paco Vink discuss the challenges of directing a low-budget theatrical feature in a small animation market like the Netherlands.