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Nickelodeon has picked up a new series: "The Loud House" by animation veteran Chris Savino. The series is inspired by Savino's own "chaotic life growing up in a huge household," and follows a boy named Lincoln who lives at home with his 10 sisters. The concept received a 13-episode greenlight based on the following pilot from the studio's 2013 Animated Shorts Program.
Tonight, Cartoon Network quietly released two new pilots that were produced in 2013: "AJ's Infinite Summer" created by Toby Jones and "Long Live the Royals" by Sean Szeles. Both Jones and Szeles work on "Regular Show"—Jones as a writer/storyboard artist and Szeles as a supervising director/writer/storyboard artist.
Reading beforehand what this episode was supposed to be about, my mind completely went somewhere else. Steven’s at that age when boys want alone time for a very specific reason and while I was 99.9% sure Cartoon Network wasn’t going to go that far, I thought they’d at least allude to that idea of adolescence and growing up. Instead we dived into the real reason (sort of) that Steven wanted to be left alone, and dug a little deeper into the idea of his parental units via a room and a weird, very strange world created by said room.
“DreamWorks Animation: The Exhibition” opened last month at the Australian Centre for the Moving Image (ACMI). Clearly inspired by “Pixar: 20 Years of Animation,” which was shown at the Museum of Modern Art in New York back in 2005, the DreamWorks show includes over 400 items, and covers the studio's twenty-year history right up to the present—there are displays about "Mr. Peabody & Sherman" and "How to Train Your Dragon 2," which will be released next month. It is the largest exhibition in the twelve-year history of the ACMI.
Ralph Bakshi pulled himself away from his drawing desk in New Mexico to chat with Cartoon Brew about his legacy, his latest project "The Last Days of Coney Island," which he recently funded on Kickstarter, and what he really thinks about the computer’s role in animation these days.
While this week’s "Steven Universe" opened a lot of doors as far as characterization and parallels, it was simply okay. Mr. Pizza was comical relief but other than that you had to dig for the entertainment.
Any exhibition that “…aims to demonstrate the centrality of animation to contemporary global culture…” is worth our attention, and the UK's Barbican Centre-produced “Watch Me Move: The Animation Show” has been doing that at museum venues since 2011. This June, it comes to the Frist Center for the Visual Arts in Nashville.
It’s been a few weeks but the last few times in Beach City we witnessed a lot of growth in the series. Steven had an anger revelation after he hung with the cool kids and really showcased the father-son relationship thanks to little Onion. Now we’re back and "Steven Universe" went and explored the maternal dynamic within their group after Pearl took a blade through the chest.
On Sunday April 13, as part of the Bird’s Eye Film Festival, the Barbican art centre in London is set to hold an event to mark the centenary of animator Joy Batchelor. Speaking at the event will be Joy’s daughter Vivien Halas; author and former Channel 4 commissioning editor for animation Clare Kitson; BFI animation curator Jez Stewart, and film critic Brian Sibley, whose work includes books on Disney and Aardman.
When you think of countries that are known for their animation, Brazil is probably not among the first that comes to mind. However, the country has nearly a century-long history of producing animation, and while historically most of the animation they have made hasn't been seen outside of its borders, there have been notable contributions to the art form throughout the country’s history. With the animation industry growing quickly in Brazil—they are ranked seventh for countries that visit Cartoon Brew most often—it is a great time to explore the country's animation legacy.
Starting out as a side character in the Wallace and Gromit short "A Close Shave" (1995), Shaun the Sheep became an unlikely franchise star. After getting his own line of merchandise and a spin-off television series (which was popular enough to spawn its own spin-off, "Timmy Time") Shaun is set to become the subject of Aardman’s next feature in spring 2015. The film currently doesn't appear to have a U.S. distributor.
A second season of Mickey Mouse shorts will begin airing April 11th at 9pm (ET/PT) on the Disney Channel. Each new short will be available the day after its cable premiere on WATCH Disney Channel, Disney.com, iTunes, and YouTube.
The Whitney Biennial is one of the most anticipated events in the world of art museums. Begun as an annual survey of American art in 1932, it became a biennial in 1973. Its overall purpose is to show a snapshot of the contemporary art world, often focusing on very recent works. For the art intelligentsia, it is often an excuse to complain about a) the state of contemporary art, and b) the curatorial choices made, or both—with occasional exceptions, such as the 2012 Biennial, which was met with overwhelming praise.
"Frozen" is beautiful to see, fun to sing along with and is a modern day marketing marvel, but the script has structural and performance issues that are worth examining because they impact directly on acting.
"The Believer" is one of the magazines in "McSweeney’s" indie publishing empire. Published nine times a year, it focuses primarily on books, but occasionally devotes an issue to another topic. This year, the March/April film issue includes a DVD of shorts by John and Faith Hubley, in tribute to John Hubley’s centennial, which happens on May 21st.
Todd Vaziri, a compositing supervisor at ILM, has written an enlightening piece about the subtle use of the dolly zoom in a shot during Pixar's "Ratatouille."
Japanese-American animation legend Jimmy Murakami, who played an important role in the development of Ireland's animation industry, has died at the age of 80, reported the organization Animation Ireland. The cause of death is unknown.
RGB" is an unusual animated film that conveys the story through forms, movements and colors. "RGB" tells a modern story that can happen or already happened for many of us.
Animator and filmmaker Michael Sporn, a man who represented the spirit and vitality of New York's animation scene as much as any other single individual, passed away from pancreatic cancer on January 19. He was 67.
Among the abundant visual delights of last year's "Cloudy with a Chance of Meatballs 2" was the expertly executed end title sequence, which has now been posted online.