Facebook Returns VR Drawing Tool Quill To Its Creator
Good news for vr animators: the newly rebranded "Quill by Smoothstep" will still be free.
Good news for vr animators: the newly rebranded "Quill by Smoothstep" will still be free.
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
The film is out now in select theaters and on HBO Max in the United States.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
"I wasn’t sure what the film was about," says Clapin, "and that hardly mattered to me."
Veteran animator Morgan Williams offers motion designers some valuable advice — and runs courses for those who want to learn more…
There's much more to a great portfolio than great artwork. Get free feedback via video conference from IDEA Academy.
Matthew A. Cherry talks about the journey of making his Oscar-nominated short "Hair Love," produced in a Toon Boom Harmony pipeline.
Learn about the wide variety of careers taken up by alumni of School of Visual Arts's animation, computer arts, and vfx courses.
See the complete list of 2019 Annie Award nominations.
In three shot progressions, Sergio López reveals how he animated the beloved Gallic characters in "Asterix: The Secret of the Magic Potion."
"If you have an idea for a short that involves story, for God’s sake don't do it in vr."
A lot of people are wondering why Paramount even made this film.
PAY ATTENTION TO THESE FILMS!
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
An extensive conversation with "Spider-Man: Into the Spider-Verse" director Bob Persichetti.
The Walt Disney Company, the leading financial sponsor of ASIFA-Hollywood's Annie Awards, received 42 total nominations.
An oral history of PDI's tech behind the making of "Antz," which is celebrating its 20th anniversary.
Academy Award winner Ed Jones explains what it took to create "Who Framed Roger Rabbit" in the days before digital vfx.
Over two dozen Pixar crew spread across eight panels will explore the making of Brad Bird's latest film.