Animation Companies Are Going Green. Here’s How They’re Doing It
We spoke with animation organizations from around the world that are spearheading the industry's green push.
We spoke with animation organizations from around the world that are spearheading the industry's green push.
Filmmaker Natalia Chernysheva was surprised recently to learn that her award-winning film was screening in festivals, under a different title and credited to another director.
Animation is Film 2022 will take place at the TCL Chinese 6 Theatres in Hollywood October 21-23, picking up again on the 29.
OIAF is back in person this year, with a jam-packed program for attendees eager to meet face-to-face after two years apart.
Tony Mines was a pioneer of the brickfilm movement as it shifted online around the turn of the century.
Is your child a movie lover, a dreamer, a creator? Are they buried in their sketchbook, building worlds and characters that live inside their imagination?
The animation marathon returns for its latest edition on February 26.
Freleng’s film is a showcase for how rhythm and motion alone can create laughter when the timing is perfect.
The festival's program runs the gamut from indie to industry, tech talks to rare retrospectives.
The festival's tenth edition will be held virtually on September 7–11.
Animator Chris Meyer-White explains the software's advantages when it comes to hybrid approaches.
A preview of the five features that Chile will present at the Marché du Film.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
The Canadian director has followed his 2019 film "Ville Neuve" with an equally multi-layered, mesmerizing work.
Director Borja Peña Gorostegui and the animation team at Psyop describe their creative process for making the short "Lost & Crowned."
Cambodian textile factories, Parisian street urchins, an albino girl with telepathic powers — here lies the future of European feature animation.
We speak to MDEC, the dynamic government agency fueling Malaysia's animation boom.
"Even though the industry is overflowing with female talent, it is not always highlighted," says Pixelatl artistic director Christian Bermejo.
The graduating class of Royal College of Art's Master’s in Animation program is presenting their year-end exhibition online — and you're invited!
Aardman is taking Wallace and Gromit into augmented reality.