After screening at dozens of festivals, ‘Hand’ is now available to stream.
Introducing the world of the illustrious Mr. Panicker and his tall tales.
That which is above is like that which is below, and that which is below is like that which is above.
Max Punchface is only interested in two things – punch AND kicking.
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
The Virtual Businessman must get all the beans and kill Grampa.
Welcome to our new series, in which industry artists and filmmakers speak about their favorite tool they used on a recent project.
Camila Kater explains how she combined five different mediums in her debut film — and why she compares women to meat.
Director Jérémy Clapin walks us through the making of his new feature “I Lost My Body.”
“Klaus” brings hand-drawn animation back — but it also pushes it forward. The film’s artists tell Cartoon Brew how they created the film’s unique look.
We spoke to the artists and developers behind “Later Alligator,” “Knights and Bikes,” and “River City Girls” about their games’ stylized visuals.
In her autobiographical film, Regina Pessoa expands her repertoire, introducing object animation and wall drawings alongside hand-drawn animation.
Canadian animator Chris Dainty walks us through the complex production process of his new NFB short.
The London-based animator invites us into her “little dungeon,” where she shows us her sketches, handmade t-shirts, and collection of tiny objects.
Add an extra dimension to your drawings. PSD to 3D is a new plug-in that easily converts 2d drawings into 3d content.
London-based Passion Pictures has added its own unique take on the Disney classic “101 Dalmatians.”
For the first time this century, all the BAFTA short animation nominees are hand-drawn films. We explore the visual development of each film.
A unique look at “Spider-Man: Into the Spider-Verse” at its earliest stages.
In the second part of this exclusive series, we explore the production design of “Animal Behaviour,” “Bird Karma,” “Late Afternoon,” “Grandpa Walrus,” and “Weekends.”
In the first of a two-part series, we explore the production design of “Age of Sail,” “Bao,” “Bilby,” “Lost & Found,” and “One Small Step.”
The director of “Tito and the Birds” speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
Working with a limited budget, Nigerian artist Shofela Coker created a lush series of “breathing paintings” for the hybrid documentary “Liyana.”
Behind the scenes of the uniquely styled photocollage/2d/3d G-Shock ads featuring the animated Gorillaz.
An exclusive behind-the-scenes look at Netflix’s new feature “Next Gen.”
Watch the trailer for Quentin Baillieux’s new film “Le Mans 1955.”
How the directors of ‘Revolting Rhymes’ adapted Roald Dahl’s classic collection of poems, and scored an Oscar short-listing.
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.