Despite a bumpy production history, Pixar has delivered a crowd-pleaser with the fourth installment of “Toy Story.”
See the full list of 24 projects chosen for the 2019 SIGGRAPH Computer Animation Festival Electronic Theater.
A key figure from Pixar’s glory days will head up character animation for DNEG’s burgeoning feature animation group.
“You haven’t seen anything yet,” says director Josh Cooley.
“The Simpsons” is one of the surprise animation series that’s heading to Disney’s new streaming service.
What exactly does Disney currently own?
In the first of a two-part series, we explore the production design of “Age of Sail,” “Bao,” “Bilby,” “Lost & Found,” and “One Small Step.”
An oral history of PDI’s tech behind the making of “Antz,” which is celebrating its 20th anniversary.
‘Geri’s Game’ director Jan Pinkava sits down with Cartoon Brew for an in-depth interview on the Pixar short’s 20th anniversary.
The Italian digital arts conference this month features several leading women in the cg, vfx, and animation industries.
A new tool automates the tedious task of secondary animation, like cloth and hair.
Limitless, made up of Pixar and Bungie alumni, is aiming for high-end – and interactive – characters in vr.
“Brave” director Brenda Chapman reveals big new plans in an exclusive interview with Cartoon Brew.
Launched yesterday with the non-profit education platform Khan Academy, Pixar in a Box is the most in-depth look ever offered at the studio’s creative process.
After directing Pixar’s “Blue Umbrella,” Saschka Unseld has moved into the world of VR filmmaking.
Challenges and lessons learned from interactive animation storytelling.
Interactive, immersive animation experiences are now a reality.
China has a new all-time animation champ…and it’s a Chinese-made animated feature!
“The Autobots” was a flop with Chinese audiences, but Disney lawyers are watching it closely.
Disney and Triggerfish are launching an animation development program exclusively for African directors and writers.