‘Smiling Friends’ Creators Launch Indie Outfit Zam Studios In L.A.
Focused on “high-quality work made by people who love the craft,” Zam aims to revive the magic of classic cartoons with modern animation and VFX techniques.
Focused on “high-quality work made by people who love the craft,” Zam aims to revive the magic of classic cartoons with modern animation and VFX techniques.
Framestore’s VFX team brought Krypto the Superdog and Superman’s Fortress of Solitude to life, contributing over 590 shots.
Cinesite takes on its first full animation and VFX feature with ‘Smurfs,’ now streaming on Paramount+, blending Peyo’s style with hybrid magic.
At the ‘Frankenstein’ world premiere, Christoph Waltz claimed that ‘CGI is for losers,’ but to whom was he, a regular in effects-heavy blockbusters, referring?
In a recent interview, Stability AI board member James Cameron warned high budgets threaten theaters, urging cheaper VFX and new tech to cut costs.
Disney’s Marlon West, ‘Avatar’ VFX vet Brooke Breton, and ‘Shrek’ costume designer Isis Mussenden bring animation and effects to Academy Foundation’s board.
Influential VFX studio Glassworks, known for its standout work on films, TV, and global ad campaigns, shuts down after nearly 30 years in the industry.
SNL’s VFX team unanimously ratified their first union contract with IATSE, securing wages, benefits, and AI protections.
‘We treated the cars like characters’: Kevin Van Der Meiren and David Nicolas on the show’s surreal Hot Wheels-inspired titles.
The company’s Melbourne outpost is expected to create 80 jobs.
Both the feature and short animation categories were huge upsets by little films that weren’t backed by money, celebrity, or power.
The company said in its annual report that it expects its current fiscal year to also be negatively impacted by the ongoing fallout from the Hollywood writers’ and actors’ strikes.
‘The Wild Robot’ and ‘Dune: Part Two’ led the pack with four wins apiece.
Gints Zilbalodis’ Oscar-nominated ‘Flow’ is also among the nominees in the feature animation category.
It is a big day for animated films at the Oscars.
‘Flow’ director Gints Zilbalodis and plug-in developer Mārtiņš Upītis talk about the development of the water plug-in used to create the Golden Globe-winning film.
A subjective guide to this year’s vfx tentpoles, franchise entries, outliers, and streaming content.
The director and vfx supervisor spoke about how they learned not to obsess over single shots, reducing the amount of work for everyone involved.
The animated short film shortlist is led by films from France and Japan.
The new online video series, called ‘Directing The Invisible Art,’ explores how film directors work with animators on hybrid productions.