Guillermo Del Toro Announces Plan For Stop-Motion Animation Center In His Hometown Of Guadalajara
The Guadalajara-based hub will provide support and training opportunities for emerging talents interested in the stop-motion technique.
The Guadalajara-based hub will provide support and training opportunities for emerging talents interested in the stop-motion technique.
A documentary about Will Vinton, the Portland stop-motion renegade, is moving forward.
Last year, the artist premiered “Reruns,” the final short film in his Thee Wreckers tetralogy at the Clermont-Ferrand Int’l Short Film Festival.
“Captain Marvel” had the sixth-biggest worldwide opening in history, and the second highest debut for a Marvel movie.
The Disney+ streaming service, launching later this year, will house the company’s entire motion picture catalog.
A look at new and upcoming animation series for tv and streaming.
Artists from Argentina, Uruguay, Chile, Brazil, Bolivia, and Paraguay participated in this stylistically diverse project.
Brevig will join Method Studios as senior vfx supervisor and creative director.
Starting in April, Canadians can get Adult Swim 24 hours a day.
GLAS is back for its fourth year with an incredible slate of programming.
The Berkeley-based studio founded by Robert Kondo and Dice Tsutsumi reveals big plans for 2019.
The new structure of Warnermedia could have a major impact on the future output of Cartoon Network, Adult Swim, Boomerang, and Rooster Teeth.
The Dreamworks threequel was also the #1 film in the U.S for a second weekend in a row.
A look at animated series coming to Cartoon Network and Facebook Watch.
Kristin Lowe and Peter Gal will assume the chief creative officer roles.
The live-action/cg hybrid feature is being directed by Walt Becker.
The series will be adapted from Serena Valentino’s “Villains” book series.
Sony hasn’t announced a director yet for the fourth entry in its most successful franchise.
Persichetti, who served as head of story on the original “Puss in Boots,” will helm the sequel.
No matter how successful a film is, animation and vfx artists continue to get stiffed by their employers.