Waffles, Wanking, And Other Worlds: The Films Of Ivan Li
Canadian animator Ivan Li discusses the sex, violence, discomfort, and unruly 3D worlds behind Finding Uranus, Fruit, Build, and Jelly Baddies.
Canadian animator Ivan Li discusses the sex, violence, discomfort, and unruly 3D worlds behind Finding Uranus, Fruit, Build, and Jelly Baddies.
Sun Xun discusses the decade-long production of ‘Magic Atlas,’ its handmade animation, shifting visual styles, political themes, and spiritual ideas.
OIAF programmer Chris Robinson and his colleagues consider boycotts, Russian and Israeli films, and if artists should be judged by their countries’ actions.
The acclaimed animator discusses finding a new artistic voice, the impact of family tragedy, and why he’s ready to leave animation behind.
The director breaks down the adaptation process, voice performances, and emotional realities behind her Cannes favorite animated feature.
Eva Cvijanović and Brigitte Archambault discuss their dystopian feature, NFB partnership, and unconventional production pipeline.
Annecy’s program is as unweildy and overwhelming as it is brilliant, so we’ve laid out ten short films you don’t wanna miss at this year’s festival.
Four filmmakers, a three-legged dog, a copy of ‘Moby-Dick,’ and a search for family drive this distinctive feature from Brazil.
Ahead of the film’s world premiere, the Chicago filmmaker unpacks its unusual origins, layered narratives, and handmade craft.
Animators discuss software breakdowns, impossible deadlines, nightmare clients, creative paralysis, and productions gone sideways.
Syvokin was a visionary artist and teacher who reshaped Soviet-era Ukrainian animation through satire, experimentation, and generations of students.
‘Short, fast, cheap, and funny’: inside the working method that’s kept the indie icon drawing through five decades and ten features.
The decision includes layoffs of non-tenured faculty, with enrolled students reassigned to other divisions within USC’s School of Cinematic Arts.
How one accidental screening led a lifelong NFB relationship blending documentary, animation, mentorship, and the preservation of Canada’s film history.
From VHS scars to Showa-era rhythms, the self-taught animator revives lost media textures, turning retro decay into videos with hundreds of millions of views.
Konstantin Bronzit explains why ‘The Three Sisters’ was submitted under a false name and country, turning his Oscar-nominated short into a test of bias.
Ryo Orikasa discusses how he transforms literature, poetry, and written language into animated form through text, sound, and silence.
An interview with director Marta Reis Andrade exploring BAP Studio’s hybrid documentary style, family voices, memory, and magical realism.
A beloved Zagreb School icon is reimagined as an interactive experience that preserves the series’ philosophy of creativity, cooperation, and nonviolence.
Filmmaker Matea Radic revisits war-torn Sarajevo decades later in ‘Paradaïz,’ blending memory, loss, and identity in a moving animated short.