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Konstantin Bronzit explains why ‘The Three Sisters’ was submitted under a false name and country, turning his Oscar-nominated short into a test of bias.
Ryo Orikasa discusses how he transforms literature, poetry, and written language into animated form through text, sound, and silence.
An interview with director Marta Reis Andrade exploring BAP Studio’s hybrid documentary style, family voices, memory, and magical realism.
A beloved Zagreb School icon is reimagined as an interactive experience that preserves the series’ philosophy of creativity, cooperation, and nonviolence.
Filmmaker Matea Radic revisits war-torn Sarajevo decades later in ‘Paradaïz,’ blending memory, loss, and identity in a moving animated short.
Discover Hothouse 15, the NFB’s 12-week animation mentorship where six new films explore creativity, collaboration, and storytelling in Canada.
Mykyta Lyskov’s ‘Kyiv Cake’ layers humor, tragedy, and surreal imagery to capture Ukraine’s resilience and defiance during war.
Phil Mulloy, British animator and satirist, dies at 76.
Singing, instrument-playing stop-motion rabbits, dripping paints, felt, and an urban landscape made of wood and found materials, “Weeping Monolith” is a wondrous sensory overload.
Chris Lavis and Maciek Szczerbowski, directors of the iconic ‘Madame Tutli-Putli,’ are back with their latest stop-motion film that pushes the art form to new places.
The film by Iria Lopez and Daniela Negrin Ochoa celebrates over a decade of running a studio together.
A deep dive into three new indie Canadian features screening at Annecy.
Arash Akhgari’s film combines collage with ink-and-paint animation to explore the fragmented, overstimulated nature of today’s media environment.
Stepping into Pelstring’s world feels like entering a warped, psychedelic time capsule from the 1970s.
We take a look at ten new shorts screening at this year’s Annecy Festival.
The 14-minute short was one of two animated films in the Directors’ Fortnight sidebar at Cannes.
The British student film played at dozens of festivals including Annecy and Zagreb.
In the video for the band Kiwi Hug, icky green snail creatures try to devour the band members.
A technical and visual explosion, this video is an unsteady zoom ride where we encounter an array of faces, objects, and scenarios.
The mixed-media music video combines drawn animation, cg, and rotoscope for Irish singer Mary Coughlan’s take on the classic song ‘Is That All There Is?’