‘A Road Movie On Foot’: The Long Journey Behind Brazilian Annecy Player ‘Son Of A Bitch’
Four filmmakers, a three-legged dog, a copy of ‘Moby-Dick,’ and a search for family drive this distinctive feature from Brazil.
Four filmmakers, a three-legged dog, a copy of ‘Moby-Dick,’ and a search for family drive this distinctive feature from Brazil.
Ahead of the film’s world premiere, the Chicago filmmaker unpacks its unusual origins, layered narratives, and handmade craft.
Animators discuss software breakdowns, impossible deadlines, nightmare clients, creative paralysis, and productions gone sideways.
Syvokin was a visionary artist and teacher who reshaped Soviet-era Ukrainian animation through satire, experimentation, and generations of students.
‘Short, fast, cheap, and funny’: inside the working method that’s kept the indie icon drawing through five decades and ten features.
The decision includes layoffs of non-tenured faculty, with enrolled students reassigned to other divisions within USC’s School of Cinematic Arts.
How one accidental screening led a lifelong NFB relationship blending documentary, animation, mentorship, and the preservation of Canada’s film history.
From VHS scars to Showa-era rhythms, the self-taught animator revives lost media textures, turning retro decay into videos with hundreds of millions of views.
Konstantin Bronzit explains why ‘The Three Sisters’ was submitted under a false name and country, turning his Oscar-nominated short into a test of bias.
Ryo Orikasa discusses how he transforms literature, poetry, and written language into animated form through text, sound, and silence.
An interview with director Marta Reis Andrade exploring BAP Studio’s hybrid documentary style, family voices, memory, and magical realism.
A beloved Zagreb School icon is reimagined as an interactive experience that preserves the series’ philosophy of creativity, cooperation, and nonviolence.
Filmmaker Matea Radic revisits war-torn Sarajevo decades later in ‘Paradaïz,’ blending memory, loss, and identity in a moving animated short.
Discover Hothouse 15, the NFB’s 12-week animation mentorship where six new films explore creativity, collaboration, and storytelling in Canada.
Mykyta Lyskov’s ‘Kyiv Cake’ layers humor, tragedy, and surreal imagery to capture Ukraine’s resilience and defiance during war.
Phil Mulloy, British animator and satirist, dies at 76.
Singing, instrument-playing stop-motion rabbits, dripping paints, felt, and an urban landscape made of wood and found materials, “Weeping Monolith” is a wondrous sensory overload.
Chris Lavis and Maciek Szczerbowski, directors of the iconic ‘Madame Tutli-Putli,’ are back with their latest stop-motion film that pushes the art form to new places.
The film by Iria Lopez and Daniela Negrin Ochoa celebrates over a decade of running a studio together.
A deep dive into three new indie Canadian features screening at Annecy.