Animation’s Creative Divide; Netflix’s Layoffs; Zaslav’s Millions
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It’s been a busy week at Italy’s View Conference, where two panels offered strikingly different visions of animation’s future. Directors from Forgotten Island, Toy Story 5, and GOAT kept the conversation focused on storytelling, creativity, and the importance of making films that connect with audiences, largely brushing aside questions about AI. Studio executives, meanwhile, had their eyes on a very different set of priorities: technology, production pipelines, artificial intelligence, and the business challenges reshaping the industry. No real talk about employee wellbeing until we raised the question during the audience Q&A after their panel.
On the creative side, Disney screened 30 minutes of its upcoming feature Hexed, Laika revealed some staggering production figures from Wildwood, and Pixar explained how an unlikely side project turned Hoppers character Tom the Lizard into a viral PR sensation.
Back in the States, The Proud Family is getting a stop-motion holiday special, the Archer team is reuniting for a new HBO comedy, and previs studio Proof is expanding into New York.
The business side of animation looks much less cheerful. Netflix is cutting 1,000 jobs even as its CEOs insist business is booming, while Warner Bros. Discovery chief David Zaslav is walking away with $606 million after years of layoffs and cost-cutting. It’s a striking contrast to the optimism we’ve heard all week at View, where artists and filmmakers remain excited about the medium’s future, even as the companies employing them seem increasingly disconnected from the people doing the work.
Check out these stories and more at cartoonbrew.com.
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Hollywood Directors On The Good (Films), The Bad (Distribution), And The Ugly (AI) Of The Industry TodayAt View, directors of 'GOAT,' 'Forgotten Island,' and Toy Story 5' discussed the state of the box office, original storytelling, and, unavoidably, AI. -
At View Conference, Executives From Sony, ILM, Skydance, And More Talk AI And Innovation, But Questions About Jobs Loom LargeTop studio executives discuss shifting production pipelines, tax incentives, new business opportunities, and if and how they can protect their workforces. -
More Than 220 Puppets, 142,000 Replacement Faces, And 2,776 Shots: The Astonishing Figures Behind Laika’s ‘Wildwood’At View Conference, VFX supervisor Steve Emerson revealed how the studio blends handcrafted animation and digital effects for its most ambitious film yet. -
Disney Shares 30 Minutes Of ‘Hexed’ Footage, Revealing A Playful World Of Witchcraft, Impressive Magic VFX, And A Standout Sidekick Or TwoOscar-winning producer Yvett Merino introduces a rebellious teenage witch, a villainous queen, and the mother-daughter relationship at the heart of the story. -
‘Our Business Is Strong And Growing,’ Netflix Tells Employees As It Lays Off 1,000 Of Them"Our business is strong and growing," Netflix's co-CEOs told employees in the same letter they announced that 6% of them would lose their jobs.
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David Zaslav Walks With $606 Million After Years Of Gutting Warner Bros., Leaving Workers To Face More CutsDespite 82% shareholder opposition and missed financial targets, the former WBD chief exits with a fortune as the Paramount merger threatens more jobs. -
Disney Didn’t Want Tom The Lizard Promoting ‘Hoppers,’ But A Pixar Side Project Turned Him Into The Film’s Viral SpokesanimalAt View Conference, director Daniel Chong and producer Nicole Paradis Grindle revealed how a rejected D23 clip found its way online and took off. -
Disney’s Groundbreaking ‘The Proud Family’ Returns With Stop-Motion Holiday SpecialBruce W. Smith teams with Portland-based HouseSpecial to bring Disney's beloved animated family into stop-motion for the first time in a new holiday adventure. -
‘Archer’ Creators Reunite For ‘Merrick & Treves,’ A New HBO Animated Comedy With A Two-Season OrderSet in Victorian England, 'Merrick & Treves' follows a secret team of time-traveling operatives on a mission to stop the notorious Jack the Ripper. -
‘Masters Of The Universe’ Previs Studio Proof Expands To New York, Lands Ari Aster’s Next FeatureFounded in 2002, the company has worked on productions including 'Avatar: Fire and Ash,' 'Stranger Things,' and the 'Jurassic World' franchise.